Bannikova Familia tipográfica


Diseñado por  Lyubov Kuznetsova/;
Galina Bannikova/;
Designed at ParaType in 1989 by Alexander Tarbeev. A modern replica of the typeface by Giambattista Bodoni, the Italian punchcutter and typographer of the late 18th century. Bodoni was a director of printing house of Duke of Parma in Italy. His early types were based on those of Fournier and Didot, but he developed the designs to become what are now considered to be the first modern typefaces. His letters have strong vertical stress, sharply contrasting thick and thin strokes and unbracketed hairline serifs. The contrast of thick and thin in Bodoni typefaces can produce a sparkling effect on a page: should be carefully used in texts; good for headlines and display. Condensed and decorative styles were added in 1993–97.

Bannikova Bold

Las fuentes de escritorio están diseñadas para instalarse en un ordenador y usarse con aplicaciones. Licencia por usuario.
Las fuentes web anuales se licencian por un número determinado de páginas vistas.
Las fuentes web anuales se licencian por un número determinado de páginas vistas.
El licenciamiento de aplicaciones le permite incrustar fuentes en sus aplicaciones. La licencia puede referirse al número de aplicaciones diferentes o al número de instalaciones de una aplicación.
Las fuentes para documentos electrónicos se pueden incrustar en libros, revistas y periódicos electrónicos. Las licencias de las fuentes son anuales y exclusivas para cada edición de las publicaciones.
Las fuentes para servidores se pueden instalar en un servidor y, p. ej., usarse en procesos automáticos para crear artículos. Cada licencia es válida para un servidor y durante un año.
Una licencia de Digital Ads le permite incrustar fuentes web en anuncios digitales, como anuncios HTML5. Esta licencia se basa en el número de impresiones de anuncios.
Bannikova


Seleccione el formato técnico
de la fuente: OT (OpenType)
con perfiles Postscript (OT CFF)
o TrueType (OT TTF).
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Pro / OT TTF

supports at least

33 idiomas.















Detalles técnicos
Datos digitales de:
Tipo de curvas OpenType:
TTF - TrueType-Outlines
Nombres técnicos de las fuentes:
Nombre del archivo: BNK75.ttf
Nombre del menú Windows: Bannikova
Nombre PostScript: , Bannikova-Bold
Nombre PostScript completo: , Bannikova Bold
Número del catálogo:
16836605
Characters:
580
US$ 30
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Características

Idiomas

Fractions

Etiqueta: frac

Función: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.

Standard Ligatures

Etiqueta: liga

Función: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions. The glyph for ffl replaces the sequence of glyphs f f l.

Localized Forms

Etiqueta: locl

Función: Many scripts used to write multiple languages over wide geographical areas have developed localized variant forms of specific letters, which are used by individual literary communities. For example, a number of letters in the Bulgarian and Serbian alphabets have forms distinct from their Russian counterparts and from each other. In some cases the localized form differs only subtly from the script 'norm', in others the forms are radically distinct. This feature enables localized forms of glyphs to be substituted for default forms. The user applies this feature to text to enable localized Bulgarian forms of Cyrillic letters; alternatively, the feature might enable localized Russian forms in a Bulgarian manufactured font in which the Bulgarian forms are the default characters.

Ordinals

Etiqueta: ordn

Función: Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature. The user applies this feature to turn 2.o into 2.o (abbreviation for secundo).

Superscript

Etiqueta: sups

Función: Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles). The application can use this feature to automatically access the superior figures (more legible than scaled figures) for footnotes, or the user can apply it to Mssr to get the classic form.

Glyph Composition/Decomposition

Etiqueta: ccmp

Función: To minimize the number of glyph alternates, it is sometimes desired to decompose a character into two glyphs. Additionally, it may be preferable to compose two characters into a single glyph for better glyph processing. This feature permits such composition/decompostion. The feature should be processed as the first feature processed, and should be processed only when it is called. In Syriac, the character 0x0732 is a combining mark that has a dot above AND a dot below the base character. To avoid multiple glyph variants to fit all base glyphs, the character is decomposed into two glyphs...a dot above and a dot below. These two glyphs can then be correctly placed using GPOS. In Arabic it might be preferred to combine the shadda with fatha (0x0651, 0x064E) into a ligature before processing shapes. This allows the font vendor to do special handling of the mark combination when doing further processing without requiring larger contextual rules.

Capital Spacing

Etiqueta: cpsp

Función: Globally adjusts inter-glyph spacing for all-capital text. Most typefaces contain capitals and lowercase characters, and the capitals are positioned to work with the lowercase. When capitals are used for words, they need more space between them for legibility and esthetics. This feature would not apply to monospaced designs. Of course the user may want to override this behavior in order to do more pronounced letterspacing for esthetic reasons. The user sets a title in all caps, and the Capital Spacing feature opens the spacing.

Kerning

Etiqueta: kern

Función: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. The o is shifted closer to the T in the combination "To."

These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in d

Etiqueta: Basic Latin

Función: These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.

These fonts support the Latin Extended character set. Each font is Unicode™ encoded, and available i

Etiqueta: Latin Extended

Función: These fonts support the Latin Extended character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.