ITC Johnston™ Familia tipográfica
Diseñado por Richard Dawson/1999
Johnston’s letters were constructed very carefully, based on his study of historical writing techniques at the British Museum. His capital letters took their form from the best classical Roman inscriptions. “He had serious rules for his sans serif style,” says Farey, “particularly the height-to-weight ratio of 1:7 for the construction of line weight, and therefore horizontals and verticals were to be the same thickness. Johnston’s O’s and C’s and G’s and even his S’s were constructions of perfect circles. This was a bit of a problem as far as text sizes were concerned, or in reality sizes smaller than half an inch. It also precluded any other weight but medium ‘ any weight lighter or heavier than his 1:7 relationship.” Johnston was famously slow at any project he undertook, says Farey. “He did eventually, under protest, create a bolder weight, in capitals only ‘ which took twenty years to complete.”
Farey and his colleague Richard Dawson have based ITC Johnston on Edward Johnston’s original block letters, expanding them into a three-weight type family. Johnston himself never called his Underground lettering a typeface, according to Farey. It was an alphabet meant for signage and other display purposes, designed to be legible at a glance rather than readable in passages of text. Farey and Dawson’s adaptation retains the sparkling starkness of Johnston’s letters while combining comfortably into text.
Johnston’s block letter bears an obvious resemblance to
Farey and Dawson, working from their studio in London’s Clerkenwell, wanted to create a type family that was neither a museum piece nor a bastardization, and that would “provide an alternative of the same school” to the omnipresent Gill Sans. “These alphabets,” says Farey, referring to the Johnston letters, “have never been developed as contemporary styles.” He and Dawson not only devised three weights of ITC Johnston but gave it a full set of small capitals in each weight ‘ something that neither the original Johnston face nor the Gill faces have ‘ as well as old-style figures and several alternate characters.
ITC Johnston Medium
diseñadas para instalarse en un
ordenador y usarse con aplicaciones.
Se emite una licencia para cada ordenador.
norma CSS @font-face. Cada licencia
cubre un determinado número de visitas
de página sin limitaciones temporales.
se pueden integrar en un libro electrónico, una
revista electrónica o un periódico electrónico.
La licencia de estas fuentes se concede por emisión.
instalar en un servidor y, p. ej., usarse
en procesos automáticos para crear
artículos. Cada licencia es válida para
un servidor y durante un año.
en los que se instalará la fuente.
se pueden consumir con el tiempo.
Le avisaremos cuando se estén agotando.
de la App para el que desea una
licencia. Algunas fuentes de App
permiten un número ilimitado de
instalaciones. Más información
en las que se integrará el tipo de letra.
Cada licencia es válida para una emisión
y su vida útil.
en los que se instalará la fuente.
Una licencia es válida durante 1 año.
de la fuente: OT (OpenType)
con perfiles Postscript (OT CFF)
o TrueType (OT TTF).
lingüística de la fuente:
W1G (98 idiomas),
COM (56 idiomas),
PRO (33 idiomas) o
STD (21 idiomas).
available in. These differ in contained
characters and file size. You get all
available versions with your license.
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Std / OT CFF
compatible con al menos
Nombre del menú Windows: Johnston ITC Std Medium
Nombre PostScript: JohnstonITCStd-Medium
Nombre PostScript completo: JohnstonITCStd-Medium
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