Bodoni by Adobe Font Family

Bodoni by Adobe Book (Linotype Originals) Más detalles ... Está en el carrito Preciodesde: 26.00 US$

Bodoni by Adobe Book Italic (Linotype Originals) Más detalles ... Está en el carrito Preciodesde: 26.00 US$

Bodoni by Adobe Roman (Linotype Originals) Más detalles ... Añadir al carrito Preciodesde: 26.00 US$

Bodoni by Adobe Italic (Linotype Originals) Más detalles ... Está en el carrito Preciodesde: 26.00 US$

Bodoni by Adobe Bold (Linotype Originals) Más detalles ... Añadir al carrito Preciodesde: 26.00 US$

Bodoni by Adobe Bold Italic (Linotype Originals) Más detalles ... Añadir al carrito Preciodesde: 26.00 US$

Bodoni by Adobe Bold Condensed (Linotype Originals) Más detalles ... Añadir al carrito Preciodesde: 26.00 US$

Bodoni Complete Family Pack (Linotype Originals) Más detalles ... Añadir al carrito Preciodesde: 179.00 US$

Giabattista Bodoni – born 16. 2. 1740 in Saluzzo, Piedmont, Italy, died 30. 11. 1813 in Parma, Italy – engraver, type designer, typographer, printer, publisher. 1758–66: typesetter in the Vatican’s Propaganda Fide printing works. 1766: the Duke of Parma invites Bodoni to set up an run a printing works. 1768: begins working in the Stamperia Reale. 1770: opens his own type foundry. 1771: publishes his first typographical contribution "Fregi e Majuscole". 1782: Charles III of Spain names Bodoni [...]

Morris Fuller Benton – born 30. 11. 1872 in Milwaukee, USA, died 30. 6. 1948 in Morristown, USA – engineer, type designer. After training as a mechanic and engineer, Benton jointed the ATF, where he became type designer and in-house designer with ATF. Fonts: Benton developed over 200 alphabets, all of which were published by ATF, including Century roman (with Theodor Low de Vinne, 1885), Mariage (1901), Alternate Gothic (1903), Franklin Gothic (1903–12), Cheltenham® (1904), Clearface® [...]

The Italian designer Antonio Pace created the font Linotype Gianotten™ in 2000. Linotype Gianotten is a new interpretation of the classic Bodoni font. For this adaptation of the modern face, Antonio Pace went back to Giambattista Bodoni’s original punches, kept in a museum in Parma, and reinterpreted the 200-year-old characters for the world of modern digital technology. Rigorous design and the organic, unadorned construction of the individual characters give Linotype Gianotten a contemporary, [...]

Giambattista Bodoni (1740-1813) was called the King of Printers; he was a prolific type designer, a masterful engraver of punches and the most widely admired printer of his time. His books and typefaces were created during the 45 years he was the director of the fine press and publishing house of the Duke of Parma in Italy. He produced the best of what are known as "modern" style types, basing them on the finest writing of his time. Modern types represented the ultimate typographic development of the late eighteenth and early nineteenth centuries. They have characteristics quite different from the types that preceded them; such as extreme vertical stress, fine hairlines contrasted by bold main strokes, and very subtle, almost non-existent bracketing of sharply defined hairline serifs. Bodoni saw this style as beautiful and harmonious-the natural result of writing done with a well-cut pen, and the look was fashionable and admired. Other punchcutters, such as the Didot family (1689-1853) in France, and J. E. Walbaum (1768-1839) in Germany made their own versions of the modern faces. Even though some nineteenth century critics turned up their noses and called such types shattering and chilly, today the Bodoni moderns are seen in much the same light as they were in his own time. When used with care, the Bodoni types are both romantic and elegant, with a presence that adds tasteful sparkle to headlines and advertising.

This version of Bodoni was done by Morris Fuller Benton for American Typefounders between 1907 and 1911. Although some of the finer details of the original Bodoni types are missing, this family has the high contrast and vertical stress typical of modern types. It works well for headlines, logos, advertising, and text.