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Documentos que se refieren a estos artículos ...
ITC Officina Pro e Dante Pro
Ron Carpenter – born 1950 in Dorking, England – type designer.
1967: works as a cartographer. 1968: trains in Monotype Corporation’s type department. 1976: works on the quality control of Monotype fonts. 1980: helps Robin Nicolas to design the italics for his Nimrod typeface. 1984: senior type designer of the Monotype Corporation. Designs supplementary weights of Times New Roman™.
Fonts: Cantoria® (1986), Calisto®, Amasis™ (1992), Dante® (1993).
* TYPOGRAPHY – An [...]
Robin Nicholas’s early training as an apprentice draftsman let his natural artistic talent fuse with the accuracy and attention to detail required in technical drawing. Typeface design is a similar blend of right- and left-brain activities. Happily for those of us who use fonts, Nicholas’s career path took a turn when he joined the Monotype Type Drawing Office in 1965.
After a period of training at Monotype, Nicholas’s first projects involved redrawing master artwork for typefaces licensed [...]
Giovanni Mardersteig created the font Dante® in 1957.
Mardersteig started work on Dante after the Second World War when printing at the Officina Bodoni returned to full production. He drew on his experience of using Bembo® and Centaur® to design a new book face with an italic which worked harmoniously with the roman. Originally hand-cut by Charles Malin, Dante was adapted for mechanical composition by Monotype in 1957. The new digital font version has been re drawn, by Monotype's [...]
Otras familias de este diseñador ...
Acerca de Dante® Font Family ...
Designer: Giovanni Mardersteig, 1957
Dante® Font Family pertenece a Monotype Originals.
El texto se muestra en inglés, ya que no está disponible en su idioma.
Dante was designed by Giovanni Mardersteig. Mardersteig started work on Dante after the Second World War when printing at the Officina Bodoni returned to full production. He drew on his experience of using Monotype Bembo and Centaur to design a new book face with an italic which worked harmoniously with the roman. Originally hand-cut by Charles Malin, Dante was adapted for mechanical composition by Monotype in 1957. The new digital font version has been re drawn, by Monotype's Ron Carpenter, free from any restrictions imposed by hot metal technology. The Dante font family was issued in 1993 in a range of three weights with a set of titling capitals. Dante is a beautiful book face which can also be used to good effect in magazines, periodicals etc.
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