Wilhelm Klingspor Gotisch™ Font Family

Wilhelm Klingspor Gotisch™ Roman (Linotype Originals) Más detalles ... Añadir al carrito Preciodesde: 26.00 US$

Wilhelm Klingspor Gotisch™ Roman DFR (Linotype Originals) Más detalles ... Añadir al carrito Preciodesde: 26.00 US$

Wilhelm Klingspor Gotisch™ Central European Roman (Linotype Originals) Más detalles ... Añadir al carrito Preciodesde: 26.00 US$

Rudolf Koch – born 20.11.1876 in Nuremberg, Germany, died 9.4.1934 in Offenbach, Germany – type designer, typographer, calligrapher, teacher. 1892-96: trains as an engraver in Hanau. 1896-97: trains as an art teacher at the Kunstgewerbeschule in Nuremberg and at the Technische Hochschule in Munich. 1911-24: publishes the "Rudolfinische Drucke" with Rudolf Gerstung. 1921: founds the Offenbacher Werkgemeinschaft at the Technische Lehranstalt Offenbach. 1930: is awarded a honorary doctorate [...]

Old English Value Pack for instant download available Blackletter typefaces evolved out of Northern Europe's medieval manuscript tradition. Grouped into four sub-families (Textura, Fraktur, Bastarda, and Rotunda), this style of type is characterized by the wide-nibbed pen strokes that are make its letterforms. Often heavy, these strokes leave a “black” color on the page. The German term for Blackletter, gebrochene Schriften, or "broken type", is also a helpful term to remember while [...]

Consulte más características de las fuentes en nuestro Archivo de características de las fuentes. Typographic Tip of the Month from Linotype’s Type Director Akira Kobayashi! Junio 2006: Apóstrofos y comillas ¿Qué glifo es correcto: la tilde, el acento agudo o el apóstrofo? - Aquí se describe el uso correcto del molesto signo de puntuación que significa omisión y forma el posesivo (y a veces el plural). Apóstrofos El símbolo de comillas se usa aquí incorrectamente [...]

Wilhelm Klingspor Gotisch™ appeared in 1925 with the Klingspor font foundry in Offenbach, Germany. Designer Rudolf Koch based his work on the Gothic forms of the 14th century and his broken letter font is often seen in advertisements. However, the ornamental letters do not match today's legibility standards and Wilhelm Klingspor Gotisch is therefore recommended for use in headlines and short texts with a point size of 12 or larger. Wilhelm Klingspor Gotisch font contains one weight: [...]

Font Designer: Rudolf Koch, 1925 Wilhelm Klingspor Gotisch™ appeared in 1925 with the Klingspor font foundry in Offenbach, Germany. Designer Rudolf Koch based his work on the Gothic forms of the 14th century and his broken letter font is often seen in advertisements. However, the ornamental letters do not match today's legibility standards and Wilhelm Klingspor Gotisch is therefore recommended for use in headlines and short texts with a point size of 12 or larger. Wilhelm [...]

Font Designer: Rudolf Koch, 1925 Wilhelm Klingspor Gotisch™ appeared in 1925 with the Klingspor font foundry in Offenbach, Germany. Designer Rudolf Koch based his work on the Gothic forms of the 14th century and his broken letter font is often seen in advertisements. However, the ornamental letters do not match today's legibility standards and Wilhelm Klingspor Gotisch is therefore recommended for use in headlines and short texts with a point size of 12 or larger. Wilhelm [...]

Wilhelm Klingspor Gotisch™ was designed in 1925 by Rudolf Koch for the Klingspor Bros. Foundry in Offenbach, Germany. Koch, who was chief designer at Klingspor, named the font in honor of the foundry's co-owner. Koch was a remarkable calligrapher, artist, and designer. This face, admired and emulated by blackletter aficionados around the world, is probably the finest existing example of a textura typeface. Textura (also known as blackletter or gothic) is the style of writing developed in Northern Europe in the middle ages. The use of space in blackletter is quite different from what we know about Roman letterforms. The lowercase forms in such writing and typefaces must be evenly textured with black and white elements, like the texture of weaving or fabric. Gothic capital letters can provide either an integration of the even texture (by the use of ornamental forms) or, if they are wide and open and filled with white, they provide bright spots of visual emphasis. Both the caps and the lowercase in Wilhelm Klingspor Gotisch are handsome, vigorous, and masterful; and the spacing is almost as good as Gutenberg's. Use this sparkling gothic gem in sizes 14 point or larger for Christmas greetings, certificates, wedding invitations, advertising, or music collateral pieces.