|
|
Garamond Classico™ Roman SC
|
| Precio: | 26.00 US$ |
| ... pertenece a Garamond Classico™ Font Family, que incluye 5 fuentes en formato Windows TrueType. |
| Características del conjunto de caracteres: |
247 caracteres |
|||||||
|---|---|---|---|---|---|---|---|---|
| Tablas de caracteres: | Tabla de codificación | |||||||
| Productos incluidos en: |
|
|||||||
| Especificaciones técnicas | ||||||||
Garamond Classico™ Roman SC
|
| Precio: | 26.00 US$ |
| ... pertenece a Garamond Classico™ Font Family, que incluye 5 fuentes en formato Windows PostScript. |
| Características del conjunto de caracteres: |
246 caracteres |
|||||||
|---|---|---|---|---|---|---|---|---|
| Tablas de caracteres: | Tabla de codificación | |||||||
| Productos incluidos en: |
|
|||||||
| Especificaciones técnicas | ||||||||
Garamond Classico™ Roman SC
|
| Precio: | 26.00 US$ |
| ... pertenece a Garamond Classico™ Font Family, que incluye 5 fuentes en formato Mac PostScript. |
| Características del conjunto de caracteres: |
246 caracteres |
|||||||
|---|---|---|---|---|---|---|---|---|
| Tablas de caracteres: | Tabla de codificación | |||||||
| Productos incluidos en: |
|
|||||||
| Especificaciones técnicas | ||||||||
Los clientes que compraron este artículo también compraron ...
Otras familias de este diseñador ...
Documentos que se refieren a este producto ...
Claude Garamond – born c. 1480 in Paris, France, died 1561 in Paris, France – type founder, publisher, punch cutter, type designer.
1510: trains as a punch cutter with Simon de Colines in Paris. 1520: trains with Geoffroy Tory. 1530: Garamond’s first type is used in an edition of the book "Paraphrasis in Elegantiarum Libros Laurentii Vallae" by Erasmus. It is based on Aldus Manutius’ type De Aetna, cut in 1455. 1540: King Francis I commissions Garamond to cut a Greek type. Garamond’s ensuing [...]
Designer Franko Luin created the following fonts: Ad Hoc, Baskerville™ Classico, Birka™, Bodoni™ Classico, Carniola™, Caslon Classico™, Devin™, Dialog™, Emona™, Esperanto™, Fortuna™, Garamond Classico™, Griffo Classico™, Humana™, Isolde™, Jenson Classico™, Jesper™, Jonatan™, Kalix™, Kasper™, Kis Classico™, Marco Polo™, Memento™, Miramar™, Norma™, Nyfors™, Odense™, Omnibus™, Pax™, Pax™ #2, Persona™, Ragnar™, Res Publica™, Rustika™, Saga™, Semper™, Transport™, Vega™.
Franko Luin, born 6. 4. [...]
Font Designer: Claude Garamond, 1499–1561
Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the range of contemporary typefaces that bear his name. What is accepted is the influence his work had on other typefaces from the late Renaissance to the present. Fonts named Garamond, or Garamont, are related to the alphabets of Claude Garamond as well as to the work of Jean Jannon (1580–1635 or 1658), much of which was attributed to Garamond. In [...]
Font Designer: Claude Garamond, 1499–1561
Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the range of contemporary typefaces that bear his name. What is accepted is the influence his work had on other typefaces from the late Renaissance to the present. Fonts named Garamond, or Garamont, are related to the alphabets of Claude Garamond as well as to the work of Jean Jannon (1580–1635 or 1658), much of which was attributed to Garamond. In [...]
Claude Garamond
Claude Garamond (ca. 1480–1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his Romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they [...]
Acerca de Garamond Classico™ Roman SC ...
Diseñador: Franko Luin, 1993
Garamond Classico™ Roman SC pertenece a Garamond Classico™ Font Family que es parte de Omnibus Typografi.
El texto se muestra en inglés, ya que no está disponible en su idioma.
Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the "Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability.Garamond Classico™ was designed by Franko Luin in 1993, and was based on the forms of Jean Jannon. It includes four weights and small caps.
Buscar este producto o similares con las siguientes palabras clave: 1500s, 16th century, Ads, Advertisment, Advertisments, anno 1500, Announcements, Award, Book, Business Cards, Catalogs, Catalogues, Certificate, Classic, Dictionaries, Dictionary, Encyclopaedia, Encyclopedia, Headline, Instructions, Lexica, Magazine, Manuals, Marriage, Menus, Newsletters, Newspaper, Prize, Professional, Readable, SC, Screen, Serif, Small Caps, Static, Text, Transitional, Urkunde, Wedding.
Quality features
La Platinum Collection es una serie exclusiva de tipos de letra clásicos optimizados de la Biblioteca Linotype.
Las fuentes XSF (Excellent Screen Fonts) son caracteres OpenType o TrueType con un aspecto fabuloso en la pantalla a baja resolución o tamaño pequeño – diseñadas y optimizadas como caracteres fácilmente legibles en la pantalla para ordenadores con sistemas operativos Microsoft® Windows.
Las fuentes XSF (Excellent Screen Fonts) son caracteres OpenType o TrueType con un aspecto fabuloso en la pantalla a baja resolución o tamaño pequeño – diseñadas y optimizadas como caracteres fácilmente legibles en la pantalla para ordenadores con sistemas operativos Microsoft® Windows.
Character set features
Aquí podrá ver cuántos caracteres contiene la fuente.
Los símbolos que se muestran le dan una impresión del tipo de caracteres que contiene la fuente.
Puede crear una muestra usando esta fuente.
Character maps
Haga clic en el mapa de codificación para ver los caracteres agrupados por las codificaciones que contiene la fuente.
Product is contained in
Aquí podrá ver los nombres de todos los productos que contienen esta fuente.
Haga clic en el nombre del producto para ver el producto.
Source of digital data
Los datos digitales de una fuente pueden suministrarlos diferentes empresas de digitalización. La entrada muestra la empresa que ha digitalizado esta fuente.
OpenType outline flavour
Esta información le indica qué tecnología (PostScript o TrueType) se ha empleado en crear los caracteres de esta fuente OpenType.
Technical font names
Aquí podrá conocer los nombres de esta fuente: como archivo en un soporte de datos o en los menús de algunas aplicaciones después de la instalación.
Catalog material number
Este número de artículo identifica individualmente al producto.
Puede usarlo para encargar el producto.
Para más información, no dude en ponerse en contacto con nosotros a través de:
| Teléfono: | +49 (0) 6172 484-418 |
| Fax: | +49 (0) 6172 484-499 |
| Correo electrónico: | info@linotype.com |
Copyright © 2009 Linotype GmbH. Todos los derechos reservados.
Nos reservamos el derecho a errores o cambios.
Nos reservamos el derecho a errores o cambios.













