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A continuación, se muestran Sabon® Font Family u otros tipos de letra de en usos reales ...
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Documentos que se refieren a estos artículos ...
Al crear Sabon® Next, Jean François Porchez ha rescatado un revival. La fuente tipográfica original Sabon , diseñada por Jan Tschichold, fue ya en su momento el rescate de los tipos del siglo XVI de Claude Garamond para la década de 1960.
Con Sabon, Tschichold no sólo creó uno de los mejores revivals de Garamond hasta la fecha, sino que construyó lo que podrían denominarse las primeras “fuentes de sistema”. Bajo el encargo de un gremio editorial alemán, Sabon estaba destinada a [...]
Claude Garamond – born c. 1480 in Paris, France, died 1561 in Paris, France – type founder, publisher, punch cutter, type designer.
1510: trains as a punch cutter with Simon de Colines in Paris. 1520: trains with Geoffroy Tory. 1530: Garamond’s first type is used in an edition of the book "Paraphrasis in Elegantiarum Libros Laurentii Vallae" by Erasmus. It is based on Aldus Manutius’ type De Aetna, cut in 1455. 1540: King Francis I commissions Garamond to cut a Greek type. Garamond’s ensuing [...]
Jan Tschichold – born 2.4.1902 in Leipzig, Germany, died 11.8.1974 in Locarno, Switzerland – typographer, calligrapher, author, teacher.
1919–21: studies at the Akademie für Graphische Künste und Buchgewerbe in Leipzig. 1921–23: is one of Walter Tiemann’s master pupils and assistant to Hermann Delitsch.
1925: publication of Tschichold’s special issue of "Typographische Mitteilungen" magazine, entitled "elementare typographie". 1926–33: teaches typography and callygraphy at the [...]
Jan Tschichold in different phases of life
OpenType is a font format that was collaboratively developed by Adobe and Microsoft during the 1990s. The first specifications were published in 1997, and the first OpenType fonts came onto the market in 2000. Today, most new fonts are released in OpenType format, which can safely be considered the new industry standard.
The OpenType format supports Unicode™, which is why OpenType fonts can contain large character sets. In fact, an OpenType font can contain more than 65,000 glyphs! This is a [...]
Consulte más características de las fuentes en nuestro Archivo de características de las fuentes.
Typographic Tip of the Month from Linotype’s Type Director Akira Kobayashi!
Octubre 2007: Un breve comentario sobre el espaciado entre letras
Espaciado óptico con Adobe InDesign
En Adobe InDesign, existe la opción “Optical Spacing” (Espaciado óptico) disponible para el espaciado entre pares de glifos o para el distanciamiento variable. La selección de espaciado [...]
El formato tipográfico OpenType es una mejora de TrueType™ y PostScript® desarrollado conjuntamente por Adobe Systems Inc. y Microsoft Corporation. OpenType combina estas dos tecnologías y amplía sus capacidades. El resultado es una nueva generación de tipos de letra OpenType con mejores funciones tipográficas y de maquetación y la posibilidad de conjuntos de caracteres ampliados totalmente compatibles con Unicode™.
Consejo: Si desea un listado de tipos de letra OpenType escriba OPENTYPE en [...]
Font Designer: Claude Garamond, 1499–1561
Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the range of contemporary typefaces that bear his name. What is accepted is the influence his work had on other typefaces from the late Renaissance to the present. Fonts named Garamond, or Garamont, are related to the alphabets of Claude Garamond as well as to the work of Jean Jannon (1580–1635 or 1658), much of which was attributed to Garamond. In [...]
Font Designer: Jan Tschichold, 1967
Jan Tschichold created the font Sabon® and based his typeface design on a version of Garamond™ designed by Jakob Sabon and Conrad Berner. Sabon was similar produced for three foundrys: D.Stempel AG, Linotype and Monotype. Classic, elegant, and extremely legible, the font Sabon is one of the most beautiful Garamond variations.
The font Sabon is particularly good for text and headlines in: books/text, magazines, advertisements, [...]
Font Designer: Claude Garamond, 1499–1561
Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the range of contemporary typefaces that bear his name. What is accepted is the influence his work had on other typefaces from the late Renaissance to the present. Fonts named Garamond, or Garamont, are related to the alphabets of Claude Garamond as well as to the work of Jean Jannon (1580–1635 or 1658), much of which was attributed to Garamond. In [...]
Porchez garantiza que las funciones OpenType de Sabon Next satisfacen colman cualquier deseo tipográfico. A continuación, encontrará una lista exhaustiva de lo que está incluido.
1.
Formas de fundición: paréntesis, corchetes y algunos signos de puntuación modifican su posición vertical cuando aparecen únicamente con mayúsculas.
2.
Ligaduras (fb, ffb, ff, fh, ffh, fi, ffi, fj, ffj, fk, fl, ffl, ft y fft, más ligaduras de s [...]
Claude Garamond
Claude Garamond (ca. 1480–1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his Romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they [...]
Otras familias de este diseñador ...
Acerca de Sabon® Font Family ...
Designer: Jan Tschichold, 1967
Sabon® Font Family pertenece a Linotype Originals.
El texto se muestra en inglés, ya que no está disponible en su idioma.
Jan Tschichold designed Sabon™ in 1964, and it was produced jointly by three foundries: D. Stempel AG, Linotype and Monotype. This was in response to a request from German master printers to make a font family that was the same design for the three metal type technologies of the time: foundry type for hand composition, linecasting, and single-type machine composition. Tschichold turned to the sixteenth century for inspiration, and the story has a complicated family thread that connects his Sabon design to the Garamond lineage. Jakob Sabon, who the type is named for, was a student of the great French punchcutter Claude Garamond. He completed a set of his teacher's punches after Garamond's death in 1561. Sabon became owner of a German foundry when he married the granddaughter of the Frankfurt printer, Christian Egenolff. Sabon died in 1580, and his widow married Konrad Berner, who took over the foundry. Tschichold loosely based his design on types from the 1592 specimen sheet issued by the Egenolff-Berner foundry: a 14-point roman attributed to Claude Garamond, and an italic attributed to Robert Granjon. Sabon was the typeface name chosen for this twentieth century revival and joint venture in production; this name avoided confusion with other fonts connected with the names of Garamond and Granjon.
Classic, elegant, and extremely legible, Sabon is one of the most beautiful Garamond variations. Always a good choice for book typography, the Sabon family is also particularly good for text and headlines in magazines, advertisements, documentation, business reports, corporate design, multimedia, and correspondence.
Sabon combines well with:
Sans serif fonts such as Frutiger, Syntax.
Slab serif fonts such as PMN Caecilia, Clairvaux.
Fun fonts such as Grafilone, Animalia, Araby Rafique.
See also the new revised version Sabon Next from the Linotype Platinum Collection.
¡Déjese inspirar por este producto! Descubra este y otros productos en Sección de inspiraciones:
Fuentes Serif.
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