Seleccione este tipo de licencia cuando esté desarrollando una aplicación app para iOS, Android o Windows Phone, y vaya a incrustar el archivo en el código de su aplicación móvil. va a incrustar el archivo fuente en el código de su aplicación móvil.
Prumo Text
por DSType- Aa Glifos
-
¡Mejor PrecioPaquetes de familia
- Estilos individuales
- Especificaciones técnicas
- Licencias
Sobre la familia Prumo Text Fuente
Prumo es un nuevo sistema tipográfico, basado en un esqueleto único que fluye, como un péndulo, del alto contraste al bajo contraste. Es una especie de viaje tipográfico, desde los tipos del siglo XVIII hasta los tipos con gracias labradas del siglo XIX, recopilando información de la romana escocesa fuentes en su recorrido. Prumo es una familia tipográfica de proporciones clásicas que aprovecha la reciente tecnología de producción tipográfica sin dejar de mirar con atención las referencias históricas más importantes.
Diseñadores: Dino dos Santos
Editorial: DSType
Fundición: DSType
Propietario del diseño: DSType
MyFonts debut: 25 de febrero de 2013
Acerca de DSType
“I began designing typefaces in the early ’90s because there weren’t many typefaces available to us in those days,” Dino dos Santos, founder of DSType, said in his Creative Characters interview. “I started designing fonts that matched the new typographic experience. To me, graphic design was never about taking a picture and then just choosing one of the available typefaces” Based in Porto, Portugal, Dino got his start designing typefaces for magazines and large corporations. Frustrated that the only fonts available for use were system fonts and dry transfer sheets, he began selling his typefaces on MyFonts. Since then, the self-taught designer has created a library full of striking experiments, charming display type, and most notably, an amazing collection of well-wrought, extensive text families. His collection also boasts a handful of bestsellers such as Velino Text, Prelo Slab and Prumo Slab. “There is not much of a type design history in Portugal,” he noted in his interview. He is, however, interested in what has been done in his country by older generations of type designers and calligraphers. “I want to understand what happened, how things worked back then, and expose the world to some lesser-known work. History is often seen as something that passed away, and that’s it. But for me history is one of the most relevant aspects of type design. I believe we are made of history, but also that we should take a step forward by connecting it to the present and the future and we can do that through technology.”The Premium foundry page can be viewed Here.
Seguir leyendo
Leer menos