Palatino Sans shows in its alphabets an interpretation of a type different from all the traditional sans serif faces of monotone strokes that are done with a ruler. Notice how the letters of Palatino Sans have elegant curved outlines, not as uniform and without sharp edges, to convey a more soft expression. The details of the stems can be seen especially in large sizes. Typical for all the Palatino alphabets are the open letter ‘P’, and the curved lower-case ‘l’ for a
[...]Biography of Akira Kobayashi:
Studied at the Musashino Art University in Tokyo, and later followed this up with a calligraphy course at the London College of Printing. Freelance type designer since 1997.
Professional experience
April 1983–March 1989
Sha-ken Co. Ltd, Japan Typeface design department
December 1990–June 1993
Jiyu-kobo Ltd, Japan
September 1993–March 1997
TypeBank Co. Ltd, Japan
March 1997–April 2001
Freelance type designer
April 1998–April
[...]German designer Hermann Zapf created the following fonts:
Aldus® (1954), Aldus Nova (2005), Aurelia™ (1983), Comenius® Antiqua BQ (1976), Edison™ (1978), Kompakt™ (1954), Marconi® (1976), Medici® Script (1971), Melior® (1952), Noris Script® (1976), Optima® (1958), Optima nova (2002), Orion™ (1974), Palatino™® (1950), Palatino nova (2005), Palatino™ Sans (2006), Saphir™ (1953), Sistina® (1950), Vario™ (1982), Venture™ (1969), Virtuosa® Classic (2009),
[...]For more than half a century, Professor Hermann Zapf has been designing typefaces that have helped define how our world communicates. Now we are pleased to present his newest series of families, Palatino™ Sans and Palatino Sans Informal. An extension of the Palatino idea, which was first made manifest in 1950, these groundbreaking sans serif typefaces offer another interpretation of the sans serif genre. Whether set alone or used in combination with each other or the Palatino, Palatino
[...]Consulte más características de las fuentes en nuestro Archivo de características de las fuentes.
Typographic Tip of the Month from Linotype’s Type Director Akira Kobayashi!
Febrero 2007: Aprender a amar las ligaduras
Una ligadura es un glifo que une dos o más caracteres. Se suele considerar que el uso de ligaduras es esencial en una tipografía de calidad, y como en cualquier tradición, hay algo de verdad en esta afirmación. Pero para usar bien las ligaduras, es
[...]Palatino undressed – Sans and Sans Informal
Bad Homburg, 26 January, 2007. Palatino Sans recasts the mold. Migrating his classic typeface from a serif to sans, Hermann Zapf makes an epochal leap. He not only transforms the traditional letters of the famous Palatino™ typeface into the grotesque, but does it with a warmth that transcends the usual cool associations with a sans serif typeface. This synthesis of modern and classic styles leaves room for a bright openness, so the type strides
[...]Fuentes Sans Serif
More Thin Fonts
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Palatino Sans is a 21st Century sans serif typeface from the master German designer Hermann Zapf. Palatino Sans and Palatino Sans Informal was designed as part of a group of three font families: Palatino nova, Palatino Sans, and Palatino Sans Informal. Together these three families act as the fulfilment of Herman Zapf's original Palatino idea. Palatino, which was born as a metal typeface in 1950, proved to be one of the 20th Century's most popular designs. Not only is Palatino Sans Informal a completely new typeface, it is also a completely new interpretation of the entire sans serif genre. Its letterforms are curved, rounded, and soft, not hard and industrial. In comparison with Palatino Sans, Palatino Sans Informal offers eccentricities that are somewhat artistic and more individual looking. The fonts in the Palatino Sans Informal family include several OpenType features, such as an extended character set covering all Latin-based European languages, old style figures, small caps, fractions, ordinals, ligatures, alternates, and ornaments. Palatino Sans Informal can be mixed well with Palatino and Palatino Sans.
