The repetition of simple geometric shapes forms a daily part of our environment. Throughout the 20th century – and into the 21st – typefaces whose designs have taken advantage of this have remained popular. But finding exactly the right mood can be tricky. For your convenience, we have grouped some of our favorite geometric typefaces (mostly sans serif and symbol) into four categories: circles, squares, ovals, and triangles.
Bei diesen 33 Halloween-Fonts ist Grusel-Stimmung garantiert!
Ob Sie ein Kostümfest organisieren, für Halloween-Artikel werben oder einfach eine gespenstische Atmosphäre schaffen wollen, diese Schriften sind genau das, was Sie gesucht haben!
In unserem Halloween Value Pack finden Sie fünf großartige Schriften zum kleinen Preis: drei Grusel-Schriften und zwei furchterregende Pi-Fonts!
Viele andere Designs sind außerdem einzeln erhältlich. Hier finden Sie unsere Auswahl vieler weiterer
[...]Überarbeitet, erweitert und mit zusätzlichen OpenType-Funktionen: Entdecken Sie die Neue Swift
Swift – nach einem Vogel benannt
Pfeilschnelle Mauersegler (englisch: swifts) ziehen Linien und spannende Bögen durch die Luft – Vorbild für Hand und Zeichenstift des Designers. Ihre langen, zierlichen Flügel und kurzen, kräftigen Rümpfe bilden markante Silhouetten, die diesen Buchstaben mit ihren gestreckten Serifen und ausgeprägten Formen verwandt sind.
Eigentlich kann Neue
[...]The high-quality fonts of renowned Dutch designer Gerard Unger offer versatile application in typography today.
More about the fonts:
Demos™
Gerard Unger designed Demos for the German technology corporation Dr.-Ing Rudolf Hell* in 1976. Originally intended for use in the typesetting of newspapers, Demos was one of the new digital generation's first typefaces, well suited for book printing as well. Its robust forms and rounded corners make this face particularly legible and flexible, it
[...]Gerard Unger – born 22. 1. 1942 in Amsterdam, The Netherlands – graphic designer, typographer, type designer, teacher.
1963–67: studies at the Gerrit Rietveld Academie in Amsterdam. Then assistant to Wim Crouwel at Total Design. 1970: starts teaching at the Gerrit Rietveld Academie in Amsterdam. From 1975 onwards: freelance designer. 1981: does typography work for Dutch coins and postage stamps. Redesigns numerous magazines. 1984: designs special digits for the Dutch telephone directories.
[...]The German designer Christian Bauer created the display font Linotype Compendio™ in 1997. This font is based on the basic forms of Transitional faces of the 17th century. The outer contours of the letters are purposely raw and irregular, much like alphabets printed on low-quality paper. The legibility of the font is thus reduced, making it necessary to use this font only for shorter texts or headlines, but it is exactly this characteristic which lends Linotype Compendio its distinctiveness.
Grafik-Designer AGD
Stuttgarter Straße 128
71522 Backnang
Telefon (0 71 91) 6 31 11
Fax (0 71 91) 8 60 83
E-mail: h.g.bomm@t-online.de
Geboren 1948 in Backnang, Baden-Württemberg
1972–1975 Studium am Institut für Buchgestaltung der Staatlichen Akademie der Bildenen Künste Stuttgart bei Walter Brudi, Kurt Weidemann, Günter Jacki.
Seit 1975 eigenes Grafik-Design Studio in Backnang.
Please take a look at a digital exhibition of works of Hellmut G. Bomm and at his personal
[...]German designer Andreas Karl created the fonts Linotype Fluxus™ and Linotype Mailbox™ in 1997. Both fonts are included in the TakeType Library, chosen from the contestants of Linotype's International Digital Type Design Contests of 1994 and 1997.
The wavy contours of Linotype Fluxus give the font a restless, choppy feel. Its relatively strong strokes make Linotype Fluxus particularly good for headlines.
Linotype Mailbox has an entire alphabet, only lower case letters, with the look of @
[...]The unusual and noticeable Linotype Grassy™ was created by German designer Inka Menne during her communication design studies at the FH Potsdam. One project involved the development of a writing utensil. Menne designed a wooden stylus with a rubber eraser as the writing tip. "The result of this pen and a bit of 'puffing' were the basis for Grassy... As I found out that Grassy had won a prize in the 3rd International Type Design Contest, I decided to extend the typeface family to include three
[...]Swiss designer Silvan Kaeser created the font Seebad™ in 2002.
Silvan Kaesar designed Seedbad after observing the unique sign lettering along the shores of Lake Geneva’s bathing area. Seebad's four different settings represent the cutting edge new style of Swiss design, which spans the bridge between modern and contemporary. Containing geometrically forms, Seebad has a narrow base. Some characters (the lowercase “t”, for example) display unicase, even uncial-like tendencies.
[...]Designer Franko Luin created the following fonts: Ad Hoc, Baskerville™ Classico, Birka™, Bodoni™ Classico, Carniola™, Caslon Classico™, Devin™, Dialog™, Emona™, Esperanto™, Fortuna™, Garamond Classico™, Griffo Classico™, Humana™, Isolde™, Jenson Classico™, Jesper™, Jonatan™, Kalix™, Kasper™, Kis Classico™, Marco Polo™, Memento™, Miramar™, Norma™, Nyfors™, Odense™, Omnibus™, Pax™, Pax™ #2, Persona™, Ragnar™, Res Publica™, Rustika™, Saga™, Semper™, Transport™, Vega™.
Franko Luin, born 6. 4.
[...]Albert Boton – born 17. 4. 1932 in Paris, France – type designer, graphic designer, teacher.
1952–55: trains at the Troy studio in Paris. Attends a course in calligraphy at the Ecole Estienne in Paris. 1955–57: type designer for the Deberny & Peignot type foundry in Paris under Adrian Frutiger and Ladislas Mendel. 1957–58: works in the graphics department of the Technès design studio. 1958–66: type designer and graphic designer for the Hollenstein studio in Paris. 1966–68: works for the
[...]Albert Hollenstein (born 1930, died 10. 8. 1974 in Vernazza) created the font ITC Eras® together with Albert Boton.
ITC Eras is a typical sans serif typeface distinguished by its unusual slight forward slant and subtle variations in stroke weight. ITC Eras is an open and airy typeface inspired by both Greek stone-cut lapidary letters as well as Roman capitals.
Ramiz Guseynov created the fonts Cargo, Compass, Decima, Decima Mono, Dina, Egon, Fermo, Fermo-Uni, Fox Sans, Fox, Octa, Septa, and Volt.
3rd International Design Contest
The Winners of the Category Fun
Font Designer: Andreas Karl, 1997
This fun font was designed by German artist Andreas Karl. Its wavy contours give the font a restless, choppy feel. Its relatively strong make Linotype Fluxus™ particularly good for headlines.
