Books

See how Linotype fonts are used for books from all over the world.
Click one of the images to see a larger version.
Fonts: Linotype Arcadia®
Designer: Neville Brody
Source: “Breakfast in Bed”
Fonts in Use: Breakfast
Fonts: Linotype Aroma™
Designer: Tim Ahrens

Get information about Linotype Aroma and view samples.
Source: “Picnic at Hanging Rock”
Fonts in Use: Picnic_at_Hanging_Rock
Fonts: Avenir®
Designer: Adrian Frutiger

Get information about Avenir and view samples.
Source: “Stadtlandschaft Mainz II”
Fonts: Bell Gothic™
Designer: Chauncey H. Griffith
Source: “Resource Kit Eight”
Fonts: Bodoni
Designer: Morris Fuller Benton
Source: “Die falsche Tochter”
Fonts: Brighton™
Designer: Alan Bright
Source: “step away from the crayons”
Fonts: PNM Caecilia®
Designer: Peter Matthias Noordzij
Source: Jahrespublikation Stuttgarter Druck- und Medientechnik
Fonts in Use: Jahrespublikation_1
Fonts in Use: Jahrespublikation_2
Fonts: Compatil® Text and Compatil® Letter
Designer: Linotype
Source: Hermann Schmidt Verlag “Geschäftsberichte”
Fonts: Compatil® Fact
Designer: Linotype
Source: “Der kleine Besserwisser”
Fonts: Linotype Compatil® Fact and Linotype Compatil® Text
Designer: Linotype
Source: F.A.Z.-Institut “Interactive Marketing”
Fonts in Use: Interactive_1
Fonts in Use: Interactive_2
Fonts: Linotype Compatil® Fact
Designer: Linotype
Source: kommunikationsverband.de “BoB”
Fonts in Use: kommunikationsverband_1
Fonts in Use: kommunikationsverband_2
Fonts: Demos®
Designer: Gerard Unger
Source: “Het lot van de kinderen van Lir”
Fonts in Use: Deutsche_Finanzagentur
Fonts: Diverda™ Sans und Palatino™
Designer: Daniel Lanz, Hermann Zapf
Source: “Mythologeme in der Werbung”
Fonts: Fairfield®
Designer: Rudolf Ruzicka

Get information about Fairfield and view samples.
Source: “Tödliche Verbindung”
Fonts in Use: Toedliche_Verbindung_1
Fonts in Use: Toedliche_Verbindung_2
Fonts: Stempel Garamond™ and Pinxit™
Designer: Claude Garamond and Ania Cremer & Pixelzoo

Get information about Garamond and view samples.
Source: “Netsurfer – Fünf Minuten zu spät”
Fonts in Use: Netsurfer
Fonts: Stempel Garamond™ and Linotype Syntax®
Designer: Robert Granjon and Hans Eduard Meier
Source: “Druckfarbe zwischen Alchemie und Hightech”
Fonts in Use: Druckfarbe_Title
Fonts in Use: Druckfarbe_innerpage
Fonts: Linotype Gianotten™ and Univers®
Designer: Antonio Pace, Adrian Frutiger

Get information about Univers and view samples.
Source: “Tilburg: bijzonder gewoon”
Fonts in Use: Tilburg_1
Fonts in Use: Tilburg_2
Fonts: Hollander™
Designer: Gerard Unger
Source: “In meinem kleinen Land”
Fonts: Melior®
Designer: Hermann Zapf
Source: “The Fine Arts Cookbook”
Fonts: Neue Helvetica®
Designer: Max Miedinger

Get information about Neue Helvetica and Helvetica and view samples.
Source: IWC Schaffhausen
Fonts in Use: IWC_Sammelband
Fonts: Neue Helvetica®
Designer: Max Miedinger
Source: IWC Schaffhausen

Fonts in Use: Workbook
Fonts: Neue Helvetica® and Sabon® Next
Designer: Max Miedinger and Jean François Porchez

Get information about Neue Helvetica and Linotype Sabon and view samples.
Source: “Das Vierte Buch”, Fachhochschule Wiesbaden
Fonts in Use: DasVierteBuch
Fonts: Kabel®
Designer: Rudolf Koch
Source: “Schlösser des Kantons Bern”
Fonts in Use: Schloesser
Fonts: ITC Kabel®
Designer: Victor Caruso
Source: “The Cat Who Brought Down the House”
Fonts in Use: The_Cat
Fonts: ITC Luna™
Designer: Akira Kobayashi
Source: “Too Much of a Good Thing”
Fonts in Use: Too_Much
Fonts: ITC Luna™
Designer: Akira Kobayashi
Source: “vos amis vous attendent”
Fonts in Use: Aquarium
Fonts: Optima nova®
Designer: Hermann Zapf/Akira Kobayashi
Source: BRÂNCUȘI
Fonts in Use: Brancusi
Fonts: Linotype Typo American™
Designer: Mark Stanczyk
Source: „Ring”
Fonts: Notre Dame™ and Sabon® Next
Designer: Karlgeorg Hoefer and Jean François Porchez

Get information about Sabon and view samples.
Source: “Das Vierte Buch”, Fachhochschule Wiesbaden
Fonts in Use: DasVierteBuch
Fonts: Linotype Rana™
Designer: Hans-Jürgen Ellenberger
Source: Cookbook
Fonts: Reporter™ #2
Designer: Carlos Winkow

Get information about Reporter and view samples
Source: “Endlich Ferien”
Fonts: Linotype Sabon® Next
Designer: Jean François Porchez

Get information about Sabon and view samples.
Source: “Prix Charles Peignot”
Fonts in Use: Prix_1
Fonts in Use: Prix_2
Fonts: Linotype Sabon® Next
Designer: Jean François Porchez

Get information about Sabon and view samples.
Source: “Esel- und Mulihufe”
Fonts in Use: Prix_1
Fonts in Use: Prix_2
Fonts: Sabon® Next
Designer: Jean François Porchez
Source: “Collection de Spécimens de Caractères”
Fonts: Satero®
Designer: Werner Schneider
Source: “Kinderbuch”
Fonts: ITC Silvermoon™
Designer: Akira Kobayashi
Source: “Anybody Can Write”
Fonts in Use: Anybody
Fonts: Staehle Graphia™
Designer: Walter Stähle
Source: Die Droste und ihr See
Fonts in Use: Droste_1
Fonts in Use: Droste_1
Fonts: Linotype Syntax®
Designer: Hans Eduard Meier
Source: Gestaltungsbücher
Fonts in Use: Gestaltungbuecher
Fonts: Linotype Syntax®
Designer: Hans Eduard Meier
Source: “Typografian käsikirja”
Fonts in Use: Typografian_title
Fonts in Use: Typografian_innerpage
Fonts: Linotype Syntax®
Designer: Hans Eduard Meier
Source: The Best German Book Design 2005
Fonts: Trajan™
Designer: Carol Twombly
Source: "Nomaden der Lüfte"
Fonts in Use: Nomaden_der_Luefte
Fonts: Zapfino®
Designer: Hermann Zapf

Get information about Zapfino and view samples.
Source: “Liebe Kate”
Fonts in Use: Kate_1
Fonts in Use: Kate_2
Fonts: Zapfino®
Designer: Hermann Zapf
Source: “Calligraphic Type Design in the Digital Age”
Fonts in Use: Calligraphic_Type_Design
Fonts: Zapfino® and Minion®
Designer: Hermann Zapf and Robert Slimbach
Source: “Shylock’s Daughter”
Fonts in Use: Shylocks_Daughter