The idea to develop a new typeface tailored to the special requirements of annual reports was born out of the "First Heidelberg Forum for Annual Reports 1988".
The challenge was to provide a type system that delivered readability and multiple tonality while maintaining harmony throughout the wide range of different characters required in an annual report.
Linotype worked closely together with Professor Olaf Leu and his Analyse Team at the University of Applied Sciences, Mainz, who have
[...]Introduction
Every year the German business magazine “Manager Magazin” holds a competition to determine the best annual reports published in the German-speaking world. From the submitted public corporations who published their 2005 annual reports in early 2006, Manager Magazin released their jury’s favorites in the October 2006 issue.
Manager Magazin picked the top ten annual reports in six different business categories, and their jury selected an overall top ten as well. Virtually every
[...]Introduction
Many typeface catalogs, including our own, group all serif typefaces together under one umbrella-category. But in truth, there are many different kinds of serifs, e.g., Renaissance serifs, baroque serifs, unbracketed modern serifs, Latin serifs, wedge serifs, etc. One of the most popular styles of seriffed letter, especially for display type, remains the slab serif.
The slab serif is a genre of letterforms that has been in use for almost 200 years. Throughout this time, many
[...]Introduction
Every year the German business magazine “Manager Magazin” holds a competition to determine the best annual reports published in the German-speaking world. From the submitted public corporations who published their 2006 annual reports in early 2007, Manager Magazin released their jury’s favorites in the October 2007 issue.
Manager Magazin picked the top ten annual reports in six different business categories, and their jury selected an overall top ten as well. Virtually every
[...]Linotype Compatil® is the first comprehensive type system which enables all typographical elements to be used to full effect in order to reproduce the message conveyed by text information. Four different type styles with a total of 16 weights have been merged into a unique typographical network. There are now no limits to the font user's creativity.
The system is a product of technical innovation and constitutes a new design approach which meets the highest aesthetic standards.
For
[...]Linotype’s Platinum Collection typefaces – Value Packs for the fonts now available
The Platinum Collection is an exclusive series of optimized classic typefaces in the Linotype Library. In close collaboration with world-famous type designers, Linotype has produced reworked, expanded typeface families that are both technologically and aesthetically up to date. These new typeface families have fine, harmonious weights; some have new italic weights and often come complete with Small Caps
[...]Linotype previously had three design studios located around the globe:
Mergenthaler Linotype, in the United States, was founded in Brooklyn, but later moved to Melville, NY, and then to Hauppauge, NY. Mergenthaler Linotype's design studio employed at varying times up to 80 designers under the direction of Chauncey H. Griffith, Jackson Burke, Mike Parker, and Matthew Carter.
In continental Europe, Linotype typefaces were produced by the D. Stempel AG typefoundry in Frankfurt, Germany.
[...]Olaf Leu was born in Chemnitz in 1936. He apprenticed as a typesetter and typographic designer in the art department of the Bauer type foundry. Later, he worked as the assistant to the creative director at the Hanns W. Brose advertising agency in Frankfurt am Main.
In 1959, he began his career as a freelance graphic designer and art director. In 1971, he founded the studio “Olaf Leu Design” in Frankfurt am Main, which became known as “Olaf Leu Design und Partner” in 1976. The studio remained
[...]Take a look at some sample pages of Gildemeister’s Annual Report 2005
– For a larger view please click on the images –
Take a look at some sample pages of Gildemeister’s Annual Report 2006
– For a larger view, please click on the images –
Find further Font Features in our Font Feature Archive.
Typographic Tip of the Month from Linotype’s Type Director Akira Kobayashi!
July 2006: It’s in the Mix!
When one is using more than one typeface within a design, a simple guideline should be observed: the typefaces should not be too similar to one another, but rather exhibit a certain contrast. This adds a layer of suspense and diversification to the overall piece.
Sample 1: A large headline, followed by three
[...]Interactive media – screen pages that are easy to read
The need to read and absorb information quickly and easily has never been greater.
The amount of information available to us, either on paper or on screen, grows daily. It is essential to have a typeface that is both extremely legible as well as aesthetically pleasing.
Linotype´s Compatil is the first type system that incorporates such a comprehensive range of typographic features, delivering optimal legibility and design potential.
The metric and visual concept that is used for
[...]Platinum Collection Fonts
The “building block” type system Compatil™ provides flexibility, a variety of appearances and levels of distinction as well as immense compatibility since the letterspacing is identical in all styles. The system was inspired by Professor Olaf Leu, who began examining the corporate design of both small and large companies with the goal of raising the overall level of corporate communication – in everything from the business card to the annual report. There was no type family that was capable of
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