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Museo Sans Rounded

Museo Sans Rounded™

von exljbris
Einzelschnitte ab $16.50
Vollständige Familie mit 12 Fonts : $119.00
Museo Sans Rounded Font Familie wurde entworfen von Jos Buivenga und herausgegeben von exljbris. Museo Sans Rounded enthält 12 Stile und Optionen für Familienpakete.

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KOSTENLOSE 30 TAGE Testversion von Monotype Fonts zu erhalten Museo Sans Rounded und mehr als 150.000 Fonts. Kostenlose Testversion starten
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Über die Schriftfamilie Museo Sans Rounded


Museo Sans sanft ungeschärft... das ist Museo Sans Rounded. Sie ist nicht kursiv, hat aber eine sehr starke 1000er-Gewichtung. Die Abstände und das Kerning wurden für die Verwendung am Bildschirm optimiert. Museo Sans Rounded wurde von Jos Buivenga von exljbris Font Foundry entworfen.

Designer: Jos Buivenga

Herausgeber: exljbris

Foundry: exljbris

Eigentümer des Designs: exljbris

MyFonts Debüt: März 23, 2011

Museo Sans Rounded™ ist eine Marke von exljbris Font Foundry .

Über exljbris

Dutchman Jos Buivenga already had an impressive following when he and his foundry, exljbris, joined MyFonts in 2008. For years, his online friends and fans were able to witness and comment on the development of his typefaces on his website and download the beta versions at no cost at all. When he transformed his free site into a one-man foundry, he debuted his first commercial typeface in an unprecedented, and ultimately, very successful way. With this typeface, Museo, Jos became the first designer to offer several weights in an extended font family for free. “I had to take into account that most people who knew me, knew me for my free fonts,” he said in his Creative Characters interview, “so my guess was that it would be best to offer more free than paid weights.” His generosity paid off. Museo became a sensational best seller on the strength of the paid fonts alone and the typeface was named one of MyFonts Top Ten Fonts of 2008. “I decided to offer the three middle, most common weights for free. And that was received better than I could have imagined.” And with that, his foundry took off. His sophomore font, Museo Sans, proved to be even more successful than its predecessor. It too was named one of our Top Ten Fonts of 2008. The true indicator of the success of this typeface, though, is the incredible longevity of its stay on our Best Sellers list. Released in 2008, the font is still a best selling typeface. Considering the enormous success that the self-taught designer has seen, it’s amazing to think that his career started off with just simple intrigue. “I just wanted to know,” he says, “what it would feel like to use a font of my own on my first Mac.”

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