ITC Officina® Serif by Adobe Schriftfamilie

ITC Officina® Serif by Adobe Book (ITC Collection) Details ... In den Warenkorb legen Preis ab: 26,00 US$

ITC Officina® Serif by Adobe Book Italic (ITC Collection) Details ... In den Warenkorb legen Preis ab: 26,00 US$

ITC Officina® Serif by Adobe Bold (ITC Collection) Details ... In den Warenkorb legen Preis ab: 26,00 US$

ITC Officina® Serif by Adobe Bold Italic (ITC Collection) Details ... In den Warenkorb legen Preis ab: 26,00 US$

ITC Officina Serif Complete Family Pack (ITC Collection) Details ... Ist im Warenkorb Preis ab: 95,00 US$

Introduction Many typeface catalogs, including our own, group all serif typefaces together under one umbrella-category. But in truth, there are many different kinds of serifs, e.g., Renaissance serifs, baroque serifs, unbracketed modern serifs, Latin serifs, wedge serifs, etc. One of the most popular styles of seriffed letter, especially for display type, remains the slab serif. The slab serif is a genre of letterforms that has been in use for almost 200 years. Throughout this time, many [...]

German designer Ole Schäfer (born 1970) created the fonts ITC Officina Sans® and ITC Officina Serif® (1990/1998, with Erik Spiekermann).

Designer Erik Spiekermann created the following fonts: Berliner Grotesk® BQ (1913), Lo-Type® BQ (1914 ,this font has been adapted from the original for use in photosetting applications), ITC Officina Sans® (1990), ITC Officina Serif® (1990). Please take a look at the personal designer portrait of Erik Spiekermann.

Officina embodies the ideals of efficient office communication in both its serif and sans serif forms. Its style is that found on a traditional typewriter, altered to suit modern technological developments. Both serif and sans serif forms are designed and spaced to offer optimal legibility. Order ITC Officina as Value Pack for instant download.

Officina® embodies the ideals of efficient office communication in both its serif and sans serif forms. Its style is that found on a traditional typewriter, altered to suit modern technological developments. Both serif and sans serif forms are designed and spaced to offer optimal legibility.

Not your grandmother’ s medieval type ... meet the “American” Gothic fonts! A breed of no-nonsense typefaces, called “Gothics” in the United States, have been serving as heavy hitters in financial services, business, and newspaper sectors since the late 19th Century. Gothic typefaces – not to be confused with Blackletter typefaces, which look “gothic” in a scary, medieval sort of way – are American sans serifs. Their forms are designed to solve [...]

Die Officina folgt in ihrem formalen Aufbau dem bekannten Schema eines problemlosen Austauschs zwischen Serif und Sans. Der Grundgedanke einer gut funktionierenden Schrift für die Bürokommunikation wurde mit der Officina überzeugend gelöst. Sie folgt in ihrer Grundgestaltung dem reduzierten Formentypus der Renaissanceschriften. Dieses Grundgerüst wurde auch für die Serif übernommen, hier aber durch betonte Serifenformen ergänzt. Beide Schriftarten der Officina wirken von ihrer Grundanlage leicht gesperrt, um eine optimale Lesbarkeit zu erreichen.
Die Officina vereint in ihrer Gestaltung die Anmutung von Schreibmaschinenschriften mit dem modernen Design einer Drucktype.