Assemblage Schriftfamilie


Entworfen von  Daniel Hernández (; ; ;)
Luciano Vergara (; ; ;)
Bruno Jara Ahumada (; ; ;)
Alfonso García (; ; ;)
Assemblage Designed by Daniel Hernández, Alfonso García, Bruno Jara Ahumada and Luciano Vergara. Thanks to Pedro González for his contribution in the initial stage of the design process. Assemblage is a typeface-inspired by Roman square capitals-that comes in 6 different weights and ranging from Thin to Black. The background of the typeface makes it well-suited for branding, short text, titles and complex compositions, thanks to its italic version. Contrary to some conservative fonts, Assemblage includes an italic version with a look based on Elzeverian and Dutch Barroque typefaces, what gives the font an extra dash of elegance, resulting in a very enjoyable design. The family was specially created for labelling wine bottles and general packaging. Assemblage is a font collection consisting of a Sans Serif plus an Italic version of classic features. The family comes in 6 weights and includes ligatures, caps and small caps plus 3 sets of smaller small caps for different kinds of composition. The Italic version-with strong decorative features-comes with swashes. Assemblage also includes a set of dingbats, especially designed for packaging as well as for publishing or branding. The Sans contains 979 characters and the Italic version 620 characters. Assemblage supports 212 different languages and its OpenType features include ligatures, semi oldstyle figures, 3 sets of ornamental small caps (in the Sans version), swashes, ending forms and alternates in the Italic version.

Assemblage Regular

Desktop-Fonts sind für die Installation
auf einem Computer und die Nutzung
mit Anwendungen konzipiert. Diese
Fonts werden pro Computer lizenziert.
Pay-as-you-go-Webfonts sind für eine bestimmte Anzahl von Seitenaufrufen lizenziert.
Die App-Lizenzierung ermöglicht die Einbettung von Fonts in Ihre Apps. Die Lizenz kann sich auf die Anzahl der verschiedenen Apps oder aber die Anzahl der Installationen einer App beziehen.
Electronic Publication Fonts sind für die
Einbettung in eBooks, eMagazines oder
eNewspapers bestimmt. Diese Fonts
werden pro Ausgabe lizenziert.
Server-Fonts können auf einem Server installiert und z.B. von Prozessen zur Erstellung von Objekten verwendet werden. Eine Lizenz gilt pro Server Core CPU pro Jahr.
Bitte die Anzahl der Computer wählen,
auf denen der Font installiert werden soll.
Bitte die Anzahl der gewünschten
Seitenzugriffe wählen. Sie werden informiert,
wenn das Kontingent zur Neige geht.
Wählen Sie die Anzahl der App-
Installationen, die Sie lizenzieren
möchten. Einige App-Fonts erlauben
eine unbegrenzte Anzahl von
Installationen.
Weitere Information
Bitte die Anzahl der digitalen Publikationen
wählen, in die der Font eingebettet werden
soll. Jede Lizenz gilt für eine Ausgabe und
deren Lebensdauer.
Bitte die Gesamtzahl der Server Core
CPUs aller Server wählen, auf denen
der Font installiert werden soll.
Eine Lizenz gilt jeweils ein Jahr.
Seitenaufrufe/Monat: Bitte die Anzahl
der zu erwartenden monatlichen
Seitenzugriffe wählen. Die Lizenz
muß nicht erneuert werden und ist
zeitlich unbegrenzt. Nur falls Sie
mehr Traffic auf Ihrer Website erhalten
als erwartet, zahlen Sie nochmals für
die zusätzlichen Pageviews.
Bitte die Anzahl der gewünschten Ad Impressions wählen. Sie werden informiert,
wenn das Kontingent zur Neige geht.
Wählen Sie das technische
Format und den Sprachausbau.
Bitte die Sprachunterstützung für den
Font auswählen: W1G (98 Sprachen),
COM (56 Sprachen),
PRO (33 Sprachen) oder
STD (21 Sprachen).
Sprachvarianten, in denen der Webfont
verfügbar ist. Diese unterscheiden sich in den
enthaltenen Zeichen und der Dateigröße. Eine
Lizenz beinhaltet immer alle verfügbaren Varianten.
Sie erhalten mit Ihrer Webfont-Lizenz
alle verfügbaren Versionen dieses Fonts.
Assemblage Regular in Typecast testen.

Typecast ist ein web-basiertes Werkzeug, um visuelle und semantische Designs zu erstellen. Prüfen Sie Lesbarkeit, Darstellung und Schönheit und zeigen Sie anderen einen Prototypen Ihres Designs.

Tip: Fügen Sie Fonts zu Ihren Favoriten und testen sie eine beliebige Font-Auswahl in Typecast!

Fonts

Desktop

Web

Digital Ads

App

ePub

Server
Desktop-Fonts sind für die Installation auf einem Computer und die Nutzung mit Anwendungen konzipiert. Diese Fonts werden pro Computer lizenziert.
Pay-as-you-go-Webfonts sind für eine bestimmte Anzahl von Seitenaufrufen lizenziert.
Webfonts werden mit der CSS-Regel @font-face verwendet. Die Lizenz ist zeitlich unbegrenzt.
Die App-Lizenzierung ermöglicht die Einbettung von Fonts in Ihre Apps. Die Lizenz kann sich auf die Anzahl der verschiedenen Apps oder aber die Anzahl der Installationen einer App beziehen.
Electronic Publication Fonts sind für die Einbettung in eBooks, eMagazines oder eNewspapers bestimmt. Diese Fonts werden pro Ausgabe lizenziert.
Server-Fonts können auf einem Server installiert und z.B. von Prozessen zur Erstellung von Objekten verwendet werden. Eine Lizenz gilt pro Server Core CPU pro Jahr.
Eine Digital Ads-Lizenz ermöglicht es Ihnen, Webfonts in digitale Anzeigen einzubetten, wie beispielsweise in mit HTML5 erstellte Anzeigen. Diese Lizenz basiert auf der Anzahl der Ad Impressions.
Assemblage


Wählen Sie das technische
Format und den Sprachausbau.
world-map map

Std / OT CFF

supports at least

21 Sprachen.















Technische Details
OpenType-Kurven-Typ:
CFF - PostScript-Outlines
Technische Font-Namen:
Dateiname: Assemblage-SansRegular.otf
Windows-Menü-Name: Assemblage Sans
PostScript-Name: , Assemblage-SansRegular
Langer PostScript-Name: , Assemblage-SansRegular
Katalognummer:
167599369
Characters:
979
US$ 36
In den Warenkorb

36 US$


36 US$


36 US$

Mehr Optionen
In Favoriten aufnehmen

Besonderheiten

Sprachen

Case-Sensitive Forms

Tag: case

Funktion: Shifts various punctuation marks up to a position that works better with all-capital sequences or sets of lining figures; also changes oldstyle figures to lining figures. By default, glyphs in a text face are designed to work with lowercase characters. Some characters should be shifted vertically to fit the higher visual center of all-capital or lining text. Also, lining figures are the same height (or close to it) as capitals, and fit much better with all-capital text. The user selects a block of text and applies this feature. The dashes, bracketing characters, guillemet quotes and the like shift up to match the capitals, and oldstyle figures change to lining figures.

Denominators

Tag: dnom

Funktion: Replaces selected figures which follow a slash with denominator figures. In the string 11/17 selected by the user, the application turns the 17 into denominators when the user applies the fraction feature.

Fractions

Tag: frac

Funktion: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.

Standard Ligatures

Tag: liga

Funktion: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions. The glyph for ffl replaces the sequence of glyphs f f l.

Lining Figures

Tag: lnum

Funktion: This feature changes selected figures from oldstyle to the default lining form. The user invokes this feature in order to get lining figures, which fit better with all-capital text. Various characters designed to be used with figures may also be covered by this feature. In cases where lining figures are the default form, this feature would undo previous substitutions.

Localized Forms

Tag: locl

Funktion: Many scripts used to write multiple languages over wide geographical areas have developed localized variant forms of specific letters, which are used by individual literary communities. For example, a number of letters in the Bulgarian and Serbian alphabets have forms distinct from their Russian counterparts and from each other. In some cases the localized form differs only subtly from the script 'norm', in others the forms are radically distinct. This feature enables localized forms of glyphs to be substituted for default forms. The user applies this feature to text to enable localized Bulgarian forms of Cyrillic letters; alternatively, the feature might enable localized Russian forms in a Bulgarian manufactured font in which the Bulgarian forms are the default characters.

Numerators

Tag: numr

Funktion: Replaces selected figures which precede a slash with numerator figures, and replaces the typographic slash with the fraction slash. In the string 11/17 selected by the user, the application turns the 11 into numerators, and the slash into a fraction slash when the user applies the fraction feature.

Old Style Figures

Tag: onum

Funktion: This feature changes selected figures from the default lining style to oldstyle form. The user invokes this feature to get oldstyle figures, which fit better into the flow of normal upper- and lowercase text. Various characters designed to be used with figures may also have oldstyle versions.

Ordinals

Tag: ordn

Funktion: Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature. The user applies this feature to turn 2.o into 2.o (abbreviation for secundo).

Superscript

Tag: sups

Funktion: Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles). The application can use this feature to automatically access the superior figures (more legible than scaled figures) for footnotes, or the user can apply it to Mssr to get the classic form.

Small Capitals From Capitals

Tag: c2sc

Funktion: Small Capitals From Capitals

Small Capitals

Tag: smcp

Funktion: This feature turns lowercase characters into small capitals. This corresponds to the common SC font layout. It is generally used for display lines set in Large & small caps, such as titles. Forms related to small capitals, such as oldstyle figures, may be included. The user enters text as mixed capitals and lowercase, and gets Large & small cap text.

Stylistic Alternates

Tag: salt

Funktion: Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates. The user applies this feature to Industria to get the alternate form of g.

Discretionary Ligatures

Tag: dlig

Funktion: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers those ligatures which may be used for special effect, at the user's preference. The glyph for ct replaces the sequence of glyphs c t, or U+322E (Kanji ligature for "Friday") replaces the sequence U+91D1 U+66DC U+65E5.

Sylistic Set 1

Tag: ss01

Funktion: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Sylistic Set 2

Tag: ss02

Funktion: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Sylistic Set 3

Tag: ss03

Funktion: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Glyph Composition/Decomposition

Tag: ccmp

Funktion: To minimize the number of glyph alternates, it is sometimes desired to decompose a character into two glyphs. Additionally, it may be preferable to compose two characters into a single glyph for better glyph processing. This feature permits such composition/decompostion. The feature should be processed as the first feature processed, and should be processed only when it is called. In Syriac, the character 0x0732 is a combining mark that has a dot above AND a dot below the base character. To avoid multiple glyph variants to fit all base glyphs, the character is decomposed into two glyphs...a dot above and a dot below. These two glyphs can then be correctly placed using GPOS. In Arabic it might be preferred to combine the shadda with fatha (0x0651, 0x064E) into a ligature before processing shapes. This allows the font vendor to do special handling of the mark combination when doing further processing without requiring larger contextual rules.

Kerning

Tag: kern

Funktion: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. The o is shifted closer to the T in the combination "To."

Mark Positioning

Tag: mark

Funktion: Positions mark glyphs with respect to base glyphs. In the Arabic script, positioning the Hamza above the Yeh.

Mark to Mark Positioning

Tag: mkmk

Funktion: Positions marks with respect to other marks. Required in various non-Latin scripts like Arabic. In Arabic, the ligaturised mark Ha with Hamza above it; can also be obtained by positioning these marks relative to one another.

These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in d

Tag: Basic Latin

Funktion: These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.

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