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Dokumente, die sich auf diese Artikel beziehen ...
Neue serifenlose Schriften aus Berlin – ITC Chino und Klint
Hannes von Döhren gehört eindeutig zu den aufstrebenden deutschen Designern. In der Zeitspanne von etwas über einem Jahr veröffentlichte Linotype fünf seiner Kreationen exklusiv: zuerst Quench®, dann Opal™ und Snoogle™, und jetzt die neue Klint™ sowie die ITC Chino™-Schriftfamilie.
Um Ihnen alle interessanten Detailinformationen zur ITC Chino zu präsentieren, haben wir eine Mikro-Site [...]
Wie Grafikdesign-Studenten mit Schrift arbeiten und damit umgehen ist uns vertraut, aber was passiert, wenn Kunststudenten das machen? Und wie beschreiben sie ihre Beweggründe und Resultate? Schauen Sie sich hier die interessanten und sehenswerten Ergebnisse an.
Hannes von Döhren was born in Berlin/Germany in 1979. After completing his studies (graphic design) in 2005, he worked in an advertising agency in Hamburg/Germany. Since 2007 he has been working as a freelancing graphic designer in Berlin, which allows him to spend some of his time developing fonts as well.
Linotype released Quench® in 2008, the first of Hannes von Döhren’s typefaces in the Linotype library. In 2009, he added Opal™ and Snoogle™ (Snoogle was designed in [...]
Andere Schriftfamilien vom selben Designer ...
Über Klint® Schriftfamilie ...
Designer: Hannes von Döhren, 2009
Die Klint® Schriftfamilie ist in der Linotype Originals-Bibliothek enthalten.
Der folgende Text wird Ihnen in Englisch angezeigt, da er nicht auf Deutsch vorliegt.
Klint is a sans serif typeface with a technical appearance and humanistic streak. The family includes five weights; each weight ships in three widths: condensed, regular, and extended. All of the 15 Klint variants have a companion Italic, rounding out family at 30 fonts. Klint's large x-height makes the design especially legible at small point sizes. In today's day and age, appliance manufacturers and/or companies in the mobile phone, computer hardware and software or Internet sectors are becoming ever more important.
Klint fills the rising need for superfamilies with a technical feeling that are also legible in both text and display settings. Through conspicuous letters like R, K, k, or g, as well as the independent nature of its Italic, Klint exudes an ethos that separates it from the competition.
Longer text passages in brochures, catalogs, or magazines would be well served by Klint's Light, Regular, and Medium weights. The heavier cuts are optimized for poster settings and headlines.
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