|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
||||||||||||||||||||||||
|
||||||||||||||||||||||||
|
||||||||||||||||||||||||
|
||||||||||||||||||||||||
|
||||||||||||||||||||||||
|
||||||||||||||||||||||||
|
||||||||||||||||||||||||
Dokumente, die sich auf diese Artikel beziehen ...
Die 10 beliebtesten Font-Releases von Linotype 2009
Das Jahr 2009 ist fast vorüber und so haben wir einmal nachgesehen, welche unserer Schrift-Releases den größten Erfolg verzeichneten. Die Ergebnisse haben wir in die drei Kategorien Serifenlose Schriften, Serifenschriften und Schreibschriften gegliedert.
Klare Formen, klassisch und schlicht: Die Schriftfamilie Aeonis von Erik Faulhaber
Nach der Generis™ ist die Aeonis™ die zweite große Schriftfamilie von Erik Faulhaber. Vorbild für die serifenlose Grundform der Aeonis war die griechische Lapidarschrift des 9. Jahrhunderts v. Chr. Typisches Merkmal dieser wegen ihrer Deutlichkeit häufig verwendeten Schrift ist die offene Form des Großbuchstabens A. Inspiration für die Rundungen der Aeonis war eine Deckenleuchte des deutschen [...]
Born in Germany (1966). Studied Graphic-Design in Karlsruhe. Freelance designer since 1996. Held teaching assignments in Halle, Weimar and Wuppertal.
In 2006 Erik Faulhaber designed Generis®. Generis is a system of four compatible typeface families, each variant drawn in a different generic style, perfectly suitable for almost any design application.
In 2009, Erik Faulhaber created Aeonis™, a classic-style sans serif typeface family with a clear, minimalistic design.
The Website of [...]
Andere Schriftfamilien vom selben Designer ...
Über Aeonis™ Schriftfamilie ...
Designer: Erik Faulhaber, 2009
Die Aeonis™ Schriftfamilie ist in der Linotype Originals-Bibliothek enthalten.
Der folgende Text wird Ihnen in Englisch angezeigt, da er nicht auf Deutsch vorliegt.
Following Generis, Aeonis is Erik Faulhaber’s second large type family. Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typeface’s basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis. Faulhaber sees the conflict between antiquity and modernity as a struggle between angular and round forms; Aeonis reconciles these trends. By removing spurs at the stems of the lowercase letters, Aeonis reduces the alphabet to its most basic movements; and in order to further strengthen reading speed, all of the unnecessary horizontal elements lave been left out of the lowercase letters and numbers, too. Aeonis is available in three widths and seven weights. Its open letterforms ensure legibility at small sizes. Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports. All of its members of the Aeonis family may easily be used with each other; their design combines a contemporary character with sophisticated typography.
Falls Sie weitere Informationen wünschen, kontaktieren Sie uns bitte unter:
| Telefon: | +49 (0) 6172 484-418 |
| Fax: | +49 (0) 6172 484-499 |
| E-Mail: | info@linotype.com |
© 2010 Linotype GmbH. Ein Unternehmen der Monotype Imaging Gruppe. Alle Rechte vorbehalten.
Irrtümer und Änderungen vorbehalten.
Irrtümer und Änderungen vorbehalten.