The Helvetica™ (Latin for Swiss) has the objective and functional style which was associated with Swiss typography in the 1950s and 1960s. The font is perfect for international correspondence: no ornament, no emotion, just clear presentation of information. Helvetica™ font is still one of most popular sans-serif fonts.
Helvetica™, the typeface par excellence, can look back on a colorful life. Originally designed for hand composition, it has been adapted over the years for all methods of
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Font Designer: Linotype Design Studio, 1961
About the Font
Developed and continuously refined by the Haas’sche Schriftgiesserei AG and then D. Stempel AG, both fully owned subsidiaries of Linotype. The key design concepts were drawn by Max Miedinger in 1957.
Apple and Adobe later obtained the licenses from Linotype for the Neue Helvetica® font, which is still one of the most popular typefaces worldwide.
The font Helvetica® (Latin for Swiss) has the objective and functional
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Helvetica™ – still the most popular sans-serif font.
Get the original from Linotype as single fonts, in a Value Pack, or on CD.
Dieser Preis ist unschlagbar! Alle 36 Helvetica-Schriftschnitte in einem Paket, als Download sofort verfügbar.
Sie brauchen einzelne Helvetica-Schriftschnitte – kein Problem! Einzelne Schriftschnitte der Helvetica-Familie können direkt heruntergeladen werden. Ab .
Neue Helvetica: die
[...]Max Miedinger – born 24.12.1910 in Zurich, Switzerland, died 8.3.1980 in Zurich, Switzerland – type designer.
1926-30: trains as a typesetter in Zurich, after which he attends evening classes at the Kunstgewerbeschule in Zurich. 1936-46: typographer for Globus department store’s advertising studio in Zurich. 1947-56: customer counselor and typeface sales representative for the Haas’sche Schriftgießerei in Münchenstein near Basle. From 1956 onwards: freelance graphic artist in
[...]Linotype previously had three design studios located around the globe:
Mergenthaler Linotype, in the United States, was founded in Brooklyn, but later moved to Melville, NY, and then to Hauppauge, NY. Mergenthaler Linotype's design studio employed at varying times up to 80 designers under the direction of Chauncey H. Griffith, Jackson Burke, Mike Parker, and Matthew Carter.
In continental Europe, Linotype typefaces were produced by the D. Stempel AG typefoundry in Frankfurt, Germany.
[...]This typeface, designed by Max Miedinger and other project members at the Haas’sche Schriftgiesserei, has become one of the most famous and popular typefaces in the world, thanks to the marketing strategy of Stempel and Linotype. It forms an integral part of many printers and operating systems. The original letterforms of Helvetica™ had to be modified for the Linotype system. Over the years, Helvetica™ was expanded to include many different weights, but these were not coordinated with each
[...]Im Archiv der Font-Beiträge finden Sie weitere Artikel.
Der typografische Tipp des Monats von Akira Kobayashi, dem künstlerischen Leiter bei Linotype!
Mai 2008: Die Methodik von Adrian Frutiger!
„Typografie muss anmutig sein, wie ein Wald und nicht wie ein Beton-Dschungel von Mietskasernen. Sie bestimmt den Abstand zwischen den Bäumen, den Freiraum zum Atmen, die Luft zum Leben.” – Adrian Frutiger (in einem Interview mit Klaus-Peter Nicolay, aus Druckmarkt,
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Font Designer: Linotype Design Studio, 1983. The key design concepts were drawn by Max Miedinger in 1957.
About the Font
Originally designed in 1957 for hand compostion, Helvetica® font has been adapted over the years for all methods of composition, from hot metal line composition and opto-mechanical photosetting of the first generation to digital typesetters.
The new possibilities offered by CRT and Laser technologies have caused us to have the complete Helvetica™ font family
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