Im Archiv der Font-Beiträge finden Sie weitere Artikel.
Bei diesen 33 Halloween-Fonts ist Grusel-Stimmung garantiert!
Ob Sie ein Kostümfest organisieren, für Halloween-Artikel werben oder einfach eine gespenstische Atmosphäre schaffen wollen, diese Schriften sind genau das, was Sie gesucht haben!
In unserem Halloween Value Pack finden Sie fünf großartige Schriften zum kleinen Preis: drei Grusel-Schriften und zwei furchterregende Pi-Fonts!
Viele andere Designs sind außerdem einzeln erhältlich. Hier finden Sie unsere Auswahl vieler weiterer
[...]The British designer Ed Bugg created the fonts Linotype Agogo™ (1997), Kanban™ (1992) and Linotype Sunburst™ (1997). Linotype Agogo and Linotype Sunburst are included in the TakeType Library, chosen from the contestants of Linotype's International Digital Type Design Contests of 1994 and 1997.
Linotype Agogo is reminiscent of the elegant 1920s and 1930s. It is a calligraphy font with five weights, one regular and four swash. The regular weight alone is clear and legible enough even for longer
[...]The British designer Bob Anderton created the fonts ITC Blackadder™ (1996), Lino Cut™ (1990) and ITC Mithras™ (1994).
The German designer Thomas Finke created the font Bergell® in 1991. Thomas Finke was inspired by the work of Alberto Giacometti. Its calligraphic style is both dynamic and elegant. Bergell should be set with generous letter spacing and is perfect for any work which should have a spontaneous yet sophisticated appearance.
The designer Roland John Goulsbra created the fonts Linotype Agrafie™ in 1994. This font family is included in the TakeType Library, chosen from the contestants of Linotype's International Digital Type Design Contests of 1994 and 1997.
In 2002 Roland John Goulsbra created the font Linotype Textur™.
Karlgeorg Hoefer was born on February 6th, 1914 in Schlesisch-Drehnow. Following schooling in Schlesien and Hamburg, he served a four-year typesetting apprenticeship from 1930-1934 in Hamburg. After two years of military service, he studied at the Kunstgewerbeschule (School of Arts and Crafts) in Offenbach am Main and then worked in Potsdam. From 1939 until 1945 he was in active military service and was also a prisoner of the Russians.
His activities as a calligrapher began after his
[...]The Swiss designer Isabelle Stutz created Linotype Belle™ Plain in 1999.
Linotype Belle Plain, a casual script face, is a winner font of Linotype’s 3rd International Digital Type Design Contest. The letters in this design have a light, informal nature, and appear as if they were written out quickly, using a writing instrument similar to a ballpoint pen. Linotype Belle has two fonts to offer: Linotype Belle Plain and Linotype Belle Bonus. Linotype Belle Bonus contains more extravagant,
[...]Designer Franko Luin created the following fonts: Ad Hoc, Baskerville™ Classico, Birka™, Bodoni™ Classico, Carniola™, Caslon Classico™, Devin™, Dialog™, Emona™, Esperanto™, Fortuna™, Garamond Classico™, Griffo Classico™, Humana™, Isolde™, Jenson Classico™, Jesper™, Jonatan™, Kalix™, Kasper™, Kis Classico™, Marco Polo™, Memento™, Miramar™, Norma™, Nyfors™, Odense™, Omnibus™, Pax™, Pax™ #2, Persona™, Ragnar™, Res Publica™, Rustika™, Saga™, Semper™, Transport™, Vega™.
Franko Luin, born 6. 4.
[...]The German designer Roman Sehrer created the font Ad Pro™ in 2004.
Roman Sehrer has digitized his handwriting to create a family of three fonts to meet your free-feeling and laid back design needs. He recommends that you try this family out on posters, logos, and restaurant menus, where in each case it will offer a great combination and contrast to traditional sans serifs like Helvetica® or like Univers®.
Prof. Karlgeorg Hoefer was one one the most influential calligraphers of the 20th Century. Aside from leading numerous workshops inside the United States, as well as abroad, he taught for decades at the Hochschule für Gestaltung in Offenbach am Main (Germany). One of his most representative typefaces is Salto, which he developed in 1952 for the Klingspor foundry in Offenbach.
More about the fonts:
Beneta™
Karlgeorg Hoefer designed Beneta in 1991, inspired by the Littera beneventana, the
[...]Im Archiv der Font-Beiträge finden Sie weitere Artikel.
Der typografische Tipp des Monats von Akira Kobayashi, dem künstlerischen Leiter bei Linotype!
August 2006: Mehr Abwechslung durch Schwungbuchstaben
Viele Schriften sind mit alternativen Schwungbuchstaben (engl.: swash characters) ausgestattet, was den Werkzeugkasten des Designers bereichert. Die besten Positionen für Schwungbuchstaben – kunstvoll verschnörkelte Buchstaben für Schmuckinitialen – sind der Anfang
[...]3rd International Design Contest
The Winners of the Category Display
Einleitung
Früher, als Designer und Ladenbesitzer noch keine Computer, Drucker und Plotter hatten, die das Gestalten von Schildern und Preistafeln einfach machen, realisierten Schildermaler solche Aushänge von Hand. Diese Kunsthandwerker inspirierten ganze Generationen von Schriftzeichnern bei der Gestaltung ähnlicher Akzidenzschriften. Heute finden Sie diese Schriften in großen wie kleinen Geschäften. Wenn Sie in einem Geschäft oder im Einzelhandel arbeiten, wissen Sie unsere neue Auswahl
[...]
AdPro, Agrafie, Beneta, Linotype Agogo and Linotype Belle are trademarks of Linotype GmbH and may be registered in certain jurisdictions.
Arriba, Bang, Banner, Bluntz, ITC Airstream, ITC Arid, ITC Arnova, ITC Atmosphere, ITC Blackadder and ITC Blaze are trademarks of International Typeface Corporation and may be registered in certain jurisdictions.
Bergell is a trademark of International Typeface Corporation registered in the U.S. Patent and Trademark Office and which may be registered in certain other jurisdictions.
Ad Hoc is a trademark of Omnibus.
New Berolina is a trademark of The Monotype Corporation registered in the United States Patent and Trademark Office and may be registered in certain jurisdictions.
