The repetition of simple geometric shapes forms a daily part of our environment. Throughout the 20th century – and into the 21st – typefaces whose designs have taken advantage of this have remained popular. But finding exactly the right mood can be tricky. For your convenience, we have grouped some of our favorite geometric typefaces (mostly sans serif and symbol) into four categories: circles, squares, ovals, and triangles.
Um sich an dieser Schriftauswahl zum Thema Strandparty zu erfreuen, brauchen Sie keinen Sand. Die Designs beschwören verschiedene Bilder herauf, von den Surfern der Sechziger über Tiki-Hütten bis hin zu DJs, die Technomusik am Sommerstrand machen. Ganz gleich, ob Sie eine Party planen, von Reiseabenteuern berichten oder die Verpackung eines Sommerprodukts entwerfen, diese Schriften geben Ihnen genau das Sonnen-und-Spaß-Feeling, das Sie suchen!
Nick Belshaw designed the fonts Belshaw™ (1980) and Frankfurter (with Alan Meeks, 1978/1981).
Belshaw and Frankfurter are included in the Linotype Library.
Designer Alan Meeks (born 1951 in London) created the following fonts: Ambrose™, Aachen medium and bold (with Colin Brignall, 1969/1977), Algerian™ Condensed (1988), Astoria, Belwe™ Mono (1976/1989), Bertie™ (1985), Bickley™ Script (1986), Bramley™ (1979), Brigade, Burlington™ (1985), Cabaret™ (1980), Campaign™ (1987), Cancellaresca™ Script (1982), Candice™ (1976), Chalfont, Champers™ (1991), Chesterfield™ (1977), Claude™ Sans (1988/1990), Copacabana, Dynamo (with
[...]The British designer Bob Newman created the fonts Data 70™ (1970), Frankfurter™ (1970) and Odin™ (1972).
