German designer Hermann Zapf created the following fonts:
Aldus® (1954), Aldus Nova (2005), Aurelia™ (1983), Comenius® Antiqua BQ (1976), Edison™ (1978), Kompakt™ (1954), Marconi® (1976), Medici® Script (1971), Melior® (1952), Noris Script® (1976), Optima® (1958), Optima nova (2002), Orion™ (1974), Palatino™® (1950), Palatino nova (2005), Palatino™ Sans (2006), Saphir™ (1953), Sistina® (1950), Vario™ (1982), Venture™ (1969), Virtuosa® Classic (2009),
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Hermann Zapf is renowned the world over as a master calligrapher and type designer. Throughout his tremendous life, he has contributed volumes to the history of typography. His oeuvre encompasses text faces, symbol fonts, and even script designs, such as the new classic Zapfino. So many of his typefaces have entered our daily lives that it is impossible to image contemporary design without them. Below are all of his digital designs for Linotype.
More about the fonts:
Aldus™
This typeface
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Font Designer: Hermann Zapf, 1954
Aldus® was designed by Hermann Zapf and appeared with the font foundry D. Stempel AG in Frankfurt am Main in 1954. Zapf named this font after the famous Venecian printer Aldus Manutius, whose work is among the most important of the Renaissance period as well as Zapf's inspiration for Aldus. Linotype Aldus was introduced by Linotype as a text font lighter than Palatino®. Zapf's goal with his Palatino and Aldus was to create a new form of Old Face
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Font Designer: Hermann Zapf, 1954
Aldus® was designed by Hermann Zapf and appeared with the font foundry D. Stempel AG in Frankfurt am Main in 1954. Zapf named this font after the famous Venecian printer Aldus Manutius, whose work is among the most important of the Renaissance period as well as Zapf's inspiration for Aldus. Linotype Aldus was introduced by Linotype as a text font lighter than Palatino®. Zapf's goal with his Palatino and Aldus was to create a new form of Old Face
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