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Zebrawood

Zebrawood™

von Adobe
Einzelschnitte ab $29.00
Vollständige Familie mit 2 Fonts : $55.00
Zebrawood Font Familie wurde entworfen von Carl Crossgrove, Carol Twombly, Kim Buker Chansler und herausgegeben von Adobe. Zebrawood enthält 2 Stile und Optionen für Familienpakete.

Mehr über diese Familie

Zebrawood Volume

2 Fonts

Bestes Angebot!

Per Font:

$27.50

Paket mit 2 Fonts:

$55.00

Über die Schriftfamilie Zebrawood


Zebrawood Font ist ein Gemeinschaftswerk der Schrift Designer K.B. Chansler, C. Crossgrove und C. Twombly, die auch Rosewood, Ponderose und Pepperwood gemeinsam entworfen haben. Wie seine Verwandten weist auch Zebrano eine Art Wildwestcharakter auf. Sein Stil lässt sich auf die Toscanienne Schriften zurückführen, die Ende des 19. Jahrhunderts in der Werbung und auf Schildern auftauchte. Typisch für dieses Großbuchstaben-Alphabet sind die gespaltenen Serifen und die robusten Grundformen, die den dekorativen Charakter der Schrift unterstreichen. Zebrawood ist, wie Rosenholz und Schwennel, als Bicolor Font gedacht, d. h. die gewichtige Füllung Zebrawood ergänzt die Innenräume von Zebrawood regular. Bei sorgfältiger Verwendung in Überschriften wird Zebrano Font mit Sicherheit die Aufmerksamkeit auf sich ziehen.

Designer: Carl Crossgrove, Carol Twombly, Kim Buker Chansler

Herausgeber: Adobe

Foundry: Adobe

Original Foundry: Adobe

Eigentümer des Designs: Adobe

MyFonts Debüt: null

Zebrawood™. ist eine Marke von Vyacheslav Kirilenko und Gayaneh Bagdasaryan.

Über Adobe

Adobe Systems, based in San Jose, California, was started by John Warnock and Chuck Geschke in 1982. In 1999 it became a billion dollar company. Adobe has long offered many applications for handling images and text, as well as a fine type library. The company’s rise comes from the success of the PostScript graphics programming language, a printing industry standard since the mid-1980s. Adobe Illustrator and Photoshop software have been mainstays of graphic design for many years. The PDF format for document interchange is also a standard. The year 1990 saw the introduction of Adobe Type Manager (ATM), which rendered fonts on-screen. In 1994 Adobe extended its interests into desktop publishing with the acquisition of Paul Brainerd’s Aldus Corporation for its PageMaker software; its advanced replacement, InDesign, now looks set to eclipse Quark Xpress as the DTP software of choice. Adobe lost little time in applying knowledge of text and graphics to the web, and offers a range of web imaging tools including PageMill and ImageReady. From the very early days, Adobe has taken typography very seriously. Sumner Stone, their Director of Typography from 1984 to 1991, chose the initial set of fonts, the first in the format known as Type 1, from the established Linotype and ITC libraries. He also initiated Adobe’s design program, where classic fonts (including Garamond and Caslon) were revived by the skilled hands of Robert Slimbach, Carol Twombly, and others. Brand new designs such as Minion also appeared. The Adobe type design group, now under David Lemon and with earlier assistance from Thomas Phinney, continues to release original type designs. As well as the standard Type 1 format, Adobe is also responsible for the PostScript Type 3 format. (In theory this gives programmers much more access to the power of PostScript, but one cannot preview the fonts on screen since it is not supported by ATM, so it has not seen wide adoption.) Much more exciting to most designers is the Multiple Master format, which allows an infinite number of fonts to be interpolated (or "morphed") between a set of master designs. The masters are typically the light and the heavy, or the narrow and wide styles. Since 1997 Adobe has been working with Microsoft on the OpenType font format. Given conformant applications (of which Adobe InDesign and PhotoShop are the most important current examples), this allows clever substitution of appropriate characters, such as ligatures and smallcaps. OpenType is also very strong in multilingual typography, enabling the computerization of some languages for the first time, and removing old compromises from typesetting languages such as Arabic. Attendees at ATypI 1999 in Boston were shocked to learn that development of Multiple Master fonts has ceased at Adobe. In 2007, OpenType fonts of the Adobe Type Library became available for purchase and immediate download from MyFonts.The Premium foundry page can be viewed Here.

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