Copperplate Gothic Schriftfamilie

Entworfen von Frederic W. Goudy (1901)
Clarence C. Marder (1901)
The original Copperplate Gothic was designed by Frederic W. Goudy in the early 1900s, and the successive weights were drawn by Clarence C. Marder for American Type Founders. It's a wide, squarish, monotone gothic (sans serif) with the addition of small hairline serifs. These tiny serifs were reminiscent of the edges on letters that were engraved in copperplate, hence the name. This kind of typeface was popular in the mid-twentieth century for stationery and business cards, especially for serious business professionals like doctors, lawyers, and bankers. Today, Copperplate Gothic enjoys a revival in corporate and advertising design, still imparting a look of serious business, both understated and posh. Despite the lack of a lowercase, Copperplate Gothic is legible at small sizes because of its open and wide shapes. There are nine weights and styles; the first part of the numbering system (29-33) relates to the amount of width and weight, and the second part (AB-BC) relates to the height of the caps and small caps.

Copperplate Gothic 29 BC

Desktop-Fonts sind für die Installation auf einem Computer und die Nutzung mit Anwendungen konzipiert. Diese Fonts werden pro Computer lizenziert.
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Copperplate Gothic

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Std / OT TTF

unterstützt mindestens

21 Sprachen.

Technische Details
TTF - TrueType-Outlines
Technische Font-Namen:
Dateiname: CopperplateGothicStd-29BC.ttf
Windows-Menü-Name: Copperplate Std_29 BC
PostScript-Name: CopperplateGothicStd-29BC
Langer PostScript-Name: Copperplate Gothic Std 29 BC
US$ 35
In den Warenkorb




Tag: frac

Function: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.


Tag: ordn

Function: Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature. The user applies this feature to turn 2.o into 2.o (abbreviation for secundo).


Tag: sups

Function: Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles). The application can use this feature to automatically access the superior figures (more legible than scaled figures) for footnotes, or the user can apply it to Mssr to get the classic form.

Small Capitals From Capitals

Tag: c2sc

Function: Small Capitals From Capitals


Tag: kern

Function: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. The o is shifted closer to the T in the combination "To."

These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in d

Tag: Basic Latin

Function: These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.