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Syntax® Schriftfamilie

- von Hans Eduard Meier
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Syntax® Roman (Linotype Originals)
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Preis ab: 26,00 US$
   
   
Syntax® Italic (Linotype Originals)
OpenType ComOpenType ProOpenType StdWindows TrueTypeWindows PostScriptMac PostScript
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Syntax® Bold (Linotype Originals)
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Syntax® Black (Linotype Originals)
OpenType ComOpenType ProOpenType StdWindows TrueTypeWindows PostScriptMac PostScript
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Preis ab: 26,00 US$
   
   
Syntax® Ultra Black (Linotype Originals)
OpenType ComOpenType ProOpenType StdWindows TrueTypeWindows PostScriptMac PostScript
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Preis ab: 26,00 US$
   
   
Syntax® Central European Roman (Linotype Originals)
Windows PostScriptMac PostScript
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Preis ab: 26,00 US$
   
   
Syntax® Central European Italic (Linotype Originals)
Windows PostScriptMac PostScript
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Preis ab: 26,00 US$
   
   
Syntax® Central European Bold (Linotype Originals)
Windows PostScriptMac PostScript
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Preis ab: 26,00 US$
   
   
Syntax® Central European Black (Linotype Originals)
Windows PostScriptMac PostScript
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Preis ab: 26,00 US$
   
   
Syntax® Central European Ultra Black (Linotype Originals)
Windows PostScriptMac PostScript
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Preis ab: 26,00 US$
   
   
Syntax® CE Value Pack (Linotype Originals)
Windows PostScriptMac PostScript
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Preis ab: 95,00 US$
     
     
Syntax® Complete Family Value Pack (Linotype Originals)
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Dokumente, die sich auf diese Artikel beziehen ...

With Syntax™, Hans Eduard Meier wanted to prove that even a grotesque can be eminently legible. Even today, the prejudice that sanserifed typefaces are less legible than serifed typefaces has stubbornly remained. This conservative attitude definitely originates with unsuccessful attempts by Meier’s predecessors. Paul Renner began Futura® with essentially similar intentions, but followed the dogmatism of the Bauhaus too much. Even Otl Aicher never managed to prove that his Rotis® Sans was as [...]
2.
Almost half a century has passed since Hans Eduard Meier drew the first pencil sketches in 1955 which would provide the basis for the forms and scope of today´s Linotype Syntax typeface family. Considering the technical developments which led from hot metal composition to digitization, the passage of time is a strong affirmation of the timelessness of the Syntax design. The five weights of Syntax Antiqua were the last hot metal types produced by the German type foundry Stempel AG. The [...]
Meta™ is not part of the Linotype portfolio. Alternative typefaces are Frutiger™, ITC Officina Sans® and Linotype Syntax™.

Andere Schriftfamilien vom selben Designer ...

Über Syntax® Schriftfamilie ...

Linotype usage sample for
Designer: Hans Eduard Meier, 1968
Die Syntax® Schriftfamilie ist in der Linotype Originals-Bibliothek enthalten.
Die von Hans Eduard Meier entwickelte Syntax wurde 1968 von der Schriftgießerei D. Stempel AG herausgegeben. Den Figuren dieser Schrift liegt das Formenprinzip der Renaissanceschriften zugrunde. Das Neuartige der Syntax liegt in der Synthese aus linearer Struktur und dynamischem Duktus. Sie ist bewegter, spannungsreicher und dynamischer als die statischen Linearschriften.

Syntax is a trademark of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.

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