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Alisal™ Bold

- von Matthew Carter
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Alisal™ Std Bold
  Format: OpenType Std

Preis: 54,00 US$
  
... gehört zur Alisal™ Schriftfamilie, die aus 3 Fonts im OpenType Std-Format besteht.
Zeichensatz-Besonderheiten:
fractions supersub ordinals isoadobe2 ligatures
253 Zeichen
Zeichentabellen: Kodierungstabelle   
Stilverknüpfte Font-Gruppe:
Alisal™ Std Regular
Alisal™ Std Italic
Alisal™ Std Bold
Put the core family into shopping cart Font-Gruppe hinzufügen
Produkt ist auch enthalten in:
The Creative Companion Library
The Monotype Library OpenType Edition Version Two
Alisal Volume
Technische Informationen  

Alisal™ Bold
  Format: Windows PostScript

Preis: 39,00 US$
  
... gehört zur Alisal™ Schriftfamilie, die aus 3 Fonts im Windows PostScript-Format besteht.
Zeichensatz-Besonderheiten:
osf
248 Zeichen
Zeichentabellen: Kodierungstabelle   
Stilverknüpfte Font-Gruppe:
Alisal™ Regular
Alisal™ Italic
Alisal™ Bold
Put the core family into shopping cart Font-Gruppe hinzufügen
Produkt ist auch enthalten in:
GoldEdition 2.0 DVD for Mac OS and Windows
Alisal Volume
Technische Informationen  

Alisal™ Bold
  Format: Mac PostScript

Preis: 39,00 US$
  
... gehört zur Alisal™ Schriftfamilie, die aus 3 Fonts im Mac PostScript-Format besteht.
Zeichensatz-Besonderheiten:
osf
248 Zeichen
Zeichentabellen: Kodierungstabelle   
Stilverknüpfte Font-Gruppe:
Alisal™ Regular
Alisal™ Italic
Alisal™ Bold
Put the core family into shopping cart Font-Gruppe hinzufügen
Produkt ist auch enthalten in:
GoldEdition 2.0 DVD for Mac OS and Windows
Alisal Volume
Technische Informationen  

Kunden, die dieses Produkt kauften, kauften auch ...

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Linotype Font Sample for Eurostile® by Adobe Extended #2
Linotype Font Sample for Rotis® Semi Serif 55 Roman
Linotype Font Sample for Linotype Atomatic™ Regular

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Dokumente, die sich auf dieses Produkt beziehen ...

Matthew Carter – born 1. 10. 1937 in London, England – type designer. 1956: trains as a punch cutter in the Netherlands. 1963–65: typography consultant for Crossfield Electronics. 1965: moves to the USA and works for Mergenthaler-Linotype in New York. 1971: moves back to England where he continues to work for Linotype. 1980–84: typography consultant to Her Majesty’s Stationery Office. 1981: the Royal Society of Arts make him a Royal Designer for Industry. 1981: he and Mike Parker set up [...]

Über Alisal™ Bold ...

Linotype usage sample for Alisal™ Std Bold
Designer: Matthew Carter, 1995
Alisal™ Bold gehört zur Alisal™ Schriftfamilie, die in der Monotype Originals enthalten ist.

Der folgende Text wird Ihnen in Englisch angezeigt, da er nicht auf Deutsch vorliegt.

Matthew Carter has been refining his design for Alisal for so long, he says, that when he was asked to complete the design for the Monotype Library, it was almost as if he were doing a historical revival of his own typeface. The illusion even extended to changes in his work process: although he now does all his preliminary and final drawing on screen, the first trial renderings of Alisal were done as pencil renderings.

Alisal is best classified as an Italian old style design. Originally created between the late 15th and mid-16th centuries in northern Italy, the true Italian old styles were some of the first roman types. They tend to be the most calligraphic of serifed faces, with the axis of their curved strokes inclined to the left, as if drawn with a flat-tipped pen or brush. These designs offer sturdy, free-flowing and heavily bracketed serifs, short descenders, and a modest contrast in stroke weight.

Alisal has nearly all the classic Italian old style character traits, plus a few quirks of its own. It is calligraphic in nature, with more of a pen-drawn quality than faces like Palatino or Goudy Old Style. It is more rough-hewn than either Goudy's Kennerley or Benton's Cloister, and is generally heavier in weight than most of the other Italian old style designs. One place where Alisal makes a clean break with traditional old style designs is in the serifs. While sturdy and clearly reflecting pen-drawn strokes, Alisal's serifs have no bracketing and appear to be straight strokes crossing the main vertical.

Like Caslon or Trajanus, Alisal is a handsome design when viewed as a block of copy. Ascenders are tall and elegant, and serve as a counterpoint to the robust strength of the rest of the design. Alisal is available as a small family of roman and bold with a complementary italic for the basic roman weight, providing all that is needed for the majority of text typography.

Alisal is not as well-known as some of Carter's other typefaces, but this lovely and long-incubated design was certainly worth the wait.
Suchen Sie diesen oder ähnliche Artikel mit den folgenden Suchbegriffen: Glyphic.

Alisal is a trademark of Carter & Cone Type Inc. and may be registered in certain jurisdictions.

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Seite zuletzt bearbeitet: 2009-11-09