Sakkal Design specializes in Arabic and Islamic calligraphy and typography. Led by Mamoun Sakkal, they design custom fonts and calligraphy along with Arabic and Islamic art and graphic design for a variety of customers.
Stockholm-based Samuelstype is owned and run by Hans Samuelson, a graphic designer with a background in calligraphy. A graphic designer by profession, he has been active in lettering design for over fifteen years, working mainly with package design and company profiling. Many of his font designs, however, have grown out of product identity design projects.
Sardiez is an independant type foundry run by Sergio Ramírez, he is and industrial designer very interested about type design because of its experimentation possibilities, which is where the design process starts.Studying these two disciplines lets to take elements from both and apply them to each other, drawing letter shapes with the technical precision as if they were blueprints and molding objects as if they were letter shapes.
Many of the fonts from the Scangraphic Digital Type Collection are available in two versions: 'SB' created to set text, or'Body Type,' and 'SH' which works best for 'Headlines.' Scangraphic's success story began when Dr. Böger Duplomat, founded in 1934, took the decision in 1981 to combine long-standing repro experience with a move into the typesetting world. Scangraphic was the new company that was founded to build digital composition systems that would blend expertise from both fields.
Mannesmann AG, one of the largest organizations in Germany, acquired Scangraphic in 1989 from the Dr. Böger Group, which was owned primarily by Knut Smeidel and Bernd Holthusen. Those two had introduced phototypesetters to Dr. Böger in 1981, with the Scantext 1000 system. They then made Scangraphic one of the early companies to adopt internal-drum imagesetter technology with the Scantext 2000 in 1986.
Scholtz Fonts, started by Anton Scholtz in 1997, specializes in ¿African flavor¿ fonts. The foundry is based in Durban, South Africa, where the Zulu culture of the region has greatly influenced the font design. Scholtz began to create his own fonts to enhance the work produced by his design company, and this branch of his design work has grown steadily in recent years. In his profession as a graphic designer, he became aware of how few available fonts were suitable for African inspired design. It was to meet this lack that he initially started work in typography. His wife, Merle Scholtz, has long worked in the field of African patterns and they have collaborated in producing the most extensive font-based collections of African patterns. He has since branched into the genres of art deco and grunge fonts.
Digital foundry based in Austin, Texas, run by David Nalle. Scriptorium offers hundreds of mostly decorative and calligraphic fonts, based on historical and folk sources.
The development of SeLis Health and Safety fonts began in 1991. The fonts include over 400 pictograms embracing all hazard symbols defined in national and international regulations, as well as commonly used warning signs for fire and the wearing of personal protective equipment. The symbols, produced in colour or black and white, can be incorporated into documents (e.g. safety data sheets, standard operating procedures) or used to create customized workplace safety signs.
The Sherwood Collection features the historical type designs of Ted Staunton. The collection contains an extensive array of handwriting styles plus classical Roman, Celtic, Medieval, and Blackletter types. Fonts such as Elizabethan, Mayflower, Virginian and Roanoke Script are very evocative of the time periods suggested by the titles. If you are looking for high quality period handwriting styles, search no further. The collection also contains contemporary designs great for all uses and applications. Pro OpenType options available.
From the mind of Nick Shinn, comes ShinnType: a 100+ font collection with big-time originality.
SODesign (Toet, André)André Toet believes in typefaces that can be used not only in print but in lots of different ways, like lighting, curtains or even furniture. His typefaces: Bloggy, Découpé, Holborn, Mezzo, Musica, Nath., PiPi, Powerplay, Tremolo en Wyggle give designers a lot of possibilities to use them in a creative way. SODesign André Toet Born in The Hague, The Netherlands. Educated at the KABK (Gerrit Noordzij), The Hague 1974 - 1976 and Central School of Art & Design (Nicolete Gray), London 1976 - 1977. He worked as a designer at Total Design (Jurriaan Schrofer, Wim Crouwel), Amsterdam 1979 - 1980. He now lives and works in Amsterdam where his studio is based (The Think-Tank is based in Tuscany, Italy). André is a designer and educator, he creates stylistic designs in different fields. He started SODesign in 1983 together with Marianne Vos. Originally trained in graphic design and winner of international awards (D&AD, Red Dot Awards, NYAD) for his designs, he also became a skilled typedesigner.
The Society of Typographic Aficionados (SOTA) is an international not-for-profit, volunteer-driven organization devoted to type, typography, and the related arts. SOTA sponsors the annual TypeCon conference gathering, and the FontAid collaborative charity fundraiser.
A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!
Spiece Graphics is the foundry of Jim Spiece, a talented designer with a passion for resurrecting old typefaces.
Stephen Rapp has been a lettering artist for over twenty years. He was a recipient of the Hermann Zapf Scholarship Award in 1997 and was a lettering artist and type developer for American Greetings for 10 years. Stephen's work has been exhibited in numerous publications including Letter Arts Review, Scripsit, Bound and Lettered, "Modern Mark Making" by Quarry books, and Typography 30 by The Type Directors Club. Stephen was a winner of the TDC "Excellence in Type Design Award" in 2009 for Montague Script. He has taught classes and workshops on both calligraphy and lettering and has been a faculty member at the International Lettering Arts Conference and Typecon.
Stereotypes is a Germany-based type foundry showcasing fonts designed by Sascha Timplan. Though Sascha wants the foundry to appear new and fresh alongside large international type foundries, he has the intent and the ability to draw glyphs with an elegant and playful character too. There are several ongoing projects for new typefaces, especially for screen typography. The expression "Stereotypes" is about the love of typography and music - it has nothing to do with cliché ideas!
StockBucket is an online resource for alternative, royalty-free photography, illustrations and fonts. Founded in May of 2004 by graphic desginers David Phillips and Traci Daberko, StockBucket strives to provide creative professionals with inspirational imagery that sparks new ideas and gives thier projects style and originality.
The StockBucket website features intuitive searching of their rapidly expanding library. Image details such as size and pricing are readily available with a quick and secure purchase sequence allowing for immediate downloads 24/7.
Companies using StockBucketâ¤¿s products include design firms, advertising agencies, web designers, in-house communications departments and publishing firms. With their focus on delivering unique visual solutions, StockBucket speaks directly to the needs of the creative customer.
The Stone Type Foundry is a growing resource of fonts from the mind and hand of renowned designer, Sumner Stone. Designs range from the large and commanding Magma family to elegant and efficient Print suite of fonts. The diverse Stone Type Foundry fonts range from sophisticated text designs to display faces with power and verve.
Studiocharlie works in product design, graphics, type design and video. We design typographic fonts. They are sometimes developed from signs and letters linked to our graphic and comunication projects (for ex. FontFoliae, Stereotype, Gattofont), whilst others are the object of specific research. In general we develop fonts for traditional typographic use like word processing (for ex. Superbastone or Csuni, which received a special commendation for the 20th edition of the Compasso d'Oro ADI Prize), or more ¿playful¿ fonts, for titles, logos and contemporary graphics (for ex. Cavillus, Carpenteria), and dingbat fonts (Gattofont, Catacumbes, Charlie Dog, FontFoliae). Three people founded Studiocharlie in 2002, and work on the development of all the team¿s projects: Gabriele Rigamonti, Carla Scorda, Vittorio Turla.
Sudtipos is an award-winning type foundry based in Buenos Aires, Argentina. The Sudtipos font collection features the work of four talented co-founders: Ale Paul, Ariel Garofalo, Claudio Pousada and Diego Giaccone. Sudtipos is most well known for its amazing variety of script typefaces, most of which contain extensive OpenType typographic features.
SummitType™ font foundry was established to design unique fonts new to the market. Each and every font that we offer is designed by hand and exclusive to our growing library of typefaces. SummitType is dedicated to providing the best font collections for every print, web, video and electronic project.
Suomi Type Foundry is a company dedicated to creating high quality typefaces. The company was founded by Tomi Haaparanta, who has been designing typefaces since 1990. The philosophy of Suomi Type Foundry is to make extensive type families, so the user has more to choose from; too often you find a great typeface, but the weight is not just right. Our fonts often come with an average of seven weights, so it is likely that you will find the right weight. Also we do not want to exclude any users, so we try to keep the range of our type library as versatile as possible, from comfortable types for text setting, to signage type families, to more evocative fonts for brand design. And sometimes stuff just for fun.