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1. Arabic Fonts
Shop for Arabic Fonts in the Linotype Library
Linotype offers a lot of new, modern and traditional Arabic fonts. These fonts are available in OpenType format and they support the Arabic, Persian and Urdu languages. But that´s not all: These fonts also include basis Latin characters that match the Arabic in style and weight, and an extra set of proportional numerals, and they adhere to Linotype´s high standard of technical quality.
Linotype´s 1st Arabic Type Design Competition:
The jury [...]
Designer Tim Holloway created the fonts Karim® (1994) and Mitra® (1975). Tim Holloway worked for a time at Linotype Ltd. in the UK, where he was a colleague of Fiona Ross.
Karim was designed in response to a demand for a traditional text face adapted to setting Quranic commentaries. Karim font is the standard character set version.
Within the constraints of the standard character set and typesetting program, the design aims to recall the style and fluency of manuscript Naskh [...]
Karim™ is a traditional-style Arabic text face, designed in response to a demand for a traditional text face adapted to setting Quranic commentaries.
Within the constraints of the standard character set and typesetting program, Karim’s design aims to recall the style and fluency of manuscript Naskh without, however, reproducing the idiosyncrasies of any particular calligrapher.The line weight chosen is heavier than usual for a traditional light face in order to benefit the reproduction of [...]
Other families by this designer ...
About Karim® Font Family ...
Designer: Tim Holloway, 1994
The Karim® Font Family is part of the Linotype Originals.
Karim is a traditional-style Arabic text face, designed in response to a demand for a traditional text face adapted to setting Quranic commentaries. Within the constraints of the standard character set and typesetting program, Karim's design aims to recall the style and fluency of manuscript Naskh without, however, reproducing the idiosyncrasies of any particular calligrapher.The line weight chosen is heavier than usual for a traditional light face in order to benefit the reproduction of small size Tafsir text. A tall kaf, deep descenders and slightly inclined alifs and lams all help to suggest the cursiveness of manuscript. The type-style that emerges is characterized by restraint and clarity: qualities suited to Karim´s original purpose, and ones that recommend it for wider use
Karim ships in the OpenType format, and includes Latin glyphs from Janson Text Roman, allowing the single font to set text in both most Western European and Arabic languages. Karim's code pages incorporate Basic Latin (Western CP 1252 Latin 1/ANSI and Macintosh US Roman) and the Arabic character set (CP 1256), which supports Arabic, Persian, and Urdu. The font includes tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.
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