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Caslon™ Antique Roman

- by Berne Nadall
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Caslon™ Antique Std Roman
  Format: OpenType Std

Price: US$ 54.00
  
Character set features:
stdr euro isoadobe2
255 characters
Character maps:
Product is contained in:
Technical information
 
Digital data from:
OpenType outline flavour:
CFF - PostScript flavoured
Technical font names:
File name:
CaslonLTStd-Antique.otf
Windows menu name:
Caslon LT Std Antique
PostScript name:
CaslonLTStd-Antique
PostScript full names:
CaslonLTStd-Antique, Caslon LT Std Antique
Catalog material number:
36742943

Caslon™ Antique Roman
  Format: Windows TrueType

Price: US$ 26.00
  
Character set features:
euro
236 characters
Character maps:
Product is contained in:
In this format only available as single font.
Technical information
 
Digital data from:
Technical font names:
File name:
LT_55840.ttf
Windows menu name:
Caslon LT Antique
PostScript name:
CaslonLT-Antique
PostScript full name:
Caslon LT Antique
Catalog material number:
35155840

Caslon™ Antique Roman
  Format: Windows PostScript

Price: US$ 26.00
  
Character set features:
euro
234 characters
Character maps:
Product is contained in:
In this format only available as single font.
Technical information
 
Digital data from:
Technical font names:
File name:
LT_55840.pfb
Windows menu name:
Caslon LT Antique
PostScript name:
CaslonLT-Antique
PostScript full name:
Caslon LT Antique
Catalog material number:
35355840

Caslon™ Antique Roman
  Format: Mac PostScript

Price: US$ 26.00
  
Character set features:
euro
234 characters
Character maps:
Product is contained in:
In this format only available as single font.
Technical information
 
Digital data from:
Technical font names:
File name:
CasloLTAnt
PostScript name:
CaslonLT-Antique
PostScript full name:
Caslon LT Antique
Catalog material number:
35055840

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Documents referring to this product ...

William Caslon I: William Caslon I – born 1692 in Cradley, Worcestershire, England, died 1766 in Bethnal Green, England – engraver, type founder, type designer. 1706: begins a seven-year apprenticeship as an engraver with a London harness-maker. 1716: self-employed engraver. 1721: the Society for Promoting Christian Knowledge commissions Caslon to cast Arabic alphabets. 1725: sets up his own type foundry. 1734: Caslon’s first one-page specimen is produced which illustrates 47 of his [...]
Designer Berne Nadall (born 1869) created the font Caslon Antique in 1896–98. The font was brought out by the American type foundry Barnhart Bros & Spindler. It doesn't bear any resemblance to Caslon, but has the quaint crudeness of what people imagine type looked like in the eighteenth century. Use Caslon AntiqueDH™ for that "old-timey" effect in graphic designs. It looks best in large sizes for titles or initials. The Englishman William Caslon punchcut many roman, italic, and non-Latin [...]

About Caslon™ Antique Roman ...

Linotype usage sample for Caslon™ Antique Std Roman
Designer: Berne Nadall, 1896-1898
Caslon™ Antique Roman belongs to the Caslon™ Antique Font Family which is part of the Assorted Collection.
The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so Caslon was influenced by the characteristics of Dutch types. He did, however, achieve a level of craft that enabled his recognition as the first great English punchcutter. Caslon's roman became so popular that it was known as the script of kings, although on the other side of the political spectrum (and the ocean), the Americans used it for their Declaration of Independence in 1776. The original Caslon specimen sheets and punches have long provided a fertile source for the range of types bearing his name. Identifying characteristics of most Caslons include a cap A with a scooped-out apex; a cap C with two full serifs; and in the italic, a swashed lowercase v and w. Caslon's types have achieved legendary status among printers and typographers, and are considered safe, solid, and dependable.

Caslon Antique was designed by Berne Nadall and brought out by the American type foundry Barnhart Bros & Spindler in 1896 to 1898. It doesn't bear any resemblance to Caslon, but has the quaint crudeness of what people imagine type looked like in the eighteenth century. Use Caslon Antique for that "old-timey" effect in graphic designs. It looks best in large sizes for titles or initials.

Caslon Black was designed by David Farey in the 1990s, and consists of one relatively narrow and very black weight. It is intended exclusively for titles or headlines. Caslon Black has a hint of the original Caslon lurking in the shadows of its shapes, but has taken on its own robust expression.

Caslon Graphique was designed by Leslie Usherwood in the 1980s. The basic forms are close to the original Caslon, but this version has wide heavy forms with very high contrast between the hairline thin strokes and the fat main strokes. This precisely drawn and stylized Caslon has verve; it's ideal for headlines or initials in large sizes.
Search this or similar products by the following keywords: 1600s, 17th century, Ads, Advertisment, Advertisments, anno 1600, Book, British, certificate, Classic, Elegant, English, Film Titling, Fine, Invitation, Magazine, Menus, Newsletters, Professional, Readable, Serif, Urkunde.

Caslon is a trademark of The Monotype Corporation and may be registered in certain jurisdictions.

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Page last edited: 2008-06-03