Janson Text® Font Family

Janson Text® 55 Roman (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

Janson Text® 55 Roman SC (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

Janson Text® 56 Italic (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

Janson Text® 56 Italic OsF (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

Janson Text® 75 Bold (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

Janson Text® 75 Bold OsF (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

Janson Text® 76 Bold Italic (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

Janson Text® 76 Bold Italic OsF (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

Janson Text Complete Family Pack (Linotype Originals) More details ... Add to shopping cart Price from: US$ 99.00

John Baskerville – born 28. 1. 1706 in Wolverley, Worcestershire, England, died 8. 1. 1775 in Birmingham, Warwickshire, England – type designer, writing master, printer. 1725: moves to Birmingham. 1733–37: writing master in Birmingham. 1750: sets up his own type foundry and printing works. 1757: his first printed book is published, an edition of Virgil. 1758: publishes an edition of John Milton’s "Paradise Lost". 1758: appointed printer to the University of Cambridge. Here he produces [...]

Linotype previously had three design studios located around the globe: Mergenthaler Linotype, in the United States, was founded in Brooklyn, but later moved to Melville, NY, and then to Hauppauge, NY. Mergenthaler Linotype's design studio employed at varying times up to 80 designers under the direction of Chauncey H. Griffith, Jackson Burke, Mike Parker, and Matthew Carter. In continental Europe, Linotype typefaces were produced by the D. Stempel AG typefoundry in Frankfurt, Germany. [...]

The Hungarian punchcutter Miklós Kis designed and cut this typeface in about 1685 while working in Amsterdam. It was not cut by Anton Janson, a Dutch punchcutter who worked in Leipzig in the seventeenth century. For many years this typeface was wrongly attributed to Janson, and the font still erroneously bears his name. Some of the Kis punches and matrices made their way to D. Stempel AG in Frankfurt in 1919. Linotype Janson was cut in 1954 under the supervision of Hermann Zapf, and was based on the original Kis punches. Prof. Horst Heiderhoff led the Linotype Design Studio in the most recent expansion of Janson in 1985. Now a versatile family of eight weights, this version of Janson Text is the most authentic digital version of the Kis types. With its legible, sturdy forms and strong stroke contrast, Janson Text™ has proved very successful for book and magazine text, and it continues to appear in the ranks of bestselling types.