|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
Documents referring to these items ...
Football Jersey Fonts
Football is in the air! Like all great team sports, football (or soccer, if you are in the US) inspires its fans to identify with their favorite team’s players, and sometimes even with a specific city or country. Each football team has its own visual identity, and the appearance of their logos and jerseys are one of the most exciting areas of graphic design. And it is no surprise that fonts play a strong role!
Below are images of just a few of the jerseys known and [...]
The repetition of simple geometric shapes forms a daily part of our environment. Throughout the 20th century – and into the 21st – typefaces whose designs have taken advantage of this have remained popular. But finding exactly the right mood can be tricky. For your convenience, we have grouped some of our favorite geometric typefaces (mostly sans serif and symbol) into four categories: circles, squares, ovals, and triangles.
Neville Brody – born 23. 4. 1957 in London, England – graphic designer, art director, type designer.
1975: studies painting at Hornsey College and from 1976–79 at the London College of Printing. Numerous record covers. 1981–86: art director of the English magazine "The Face". 1983–87: covers for the London magazine "City Limits". 1987–90: works for the "Arena" magazine. Art director for the magazines "Per Lui" and "Lei" of the Condé Nast Publications in Milan and the French magazine [...]
Not only at the Bauhaus did groups of artists join together to develop works which fit neither the Expressionist nor the Surrealistic art movements. In the 1920s, every European center had artist colonies which actively confronted the historic romance and glorification of art with a new clarity and directness.
Throughout recorded time, there have been artistic styles containing Constructivist elements, for example those of the Renaissance or Jugendstil. In the time between the two world [...]
Superstar British designer Neville Brody has created typefaces that revolutionized the industry over the past two decades. These classics naturally have a sound place in the Linotype Libray.
More about the fonts:
Arcadia™
Arcadia was originally designed as the banner for Arena magazine in 1986. 1990 it was released as a font by Linotype GmbH.
Borrowing elements from Art Deco styling, Arcadia is a tall and striking geometric design with extremely condensed and contrasting forms. The [...]
Other families by this designer ...
About Industria® Font Family ...
Designer: Neville Brody, 1989
The Industria® Font Family is part of the Linotype Originals.
Industria™ was designed by British graphic design guru Neville Brody, originally for a magazine called The Face, and released as a font by Linotype GmbH in 1989. Industria is a condensed sans serif with abbreviated, essential forms. It has a systemized mechanical structure of straight strokes with rounded outer corners and rectangular counter spaces. The solid version is strong, cool, and reserved; the inline version gives a vibrating and artful contrast. The alternate font has a more flamboyant lowercase g and t.
Four original Brody fonts are available from Linotype GmbH: Insignia, Industria Solid, Industria Inline and Arcadia. His designs have received international recognition for their innovative style, reaching almost cult status.
A Cyrillic version of this design is also available. It is named Tatlin.
For further information do not hesitate to contact us via:
| Phone: | +49 (0) 6172 484-418 |
| Fax: | +49 (0) 6172 484-499 |
| e-mail: | info@linotype.com |
Copyright © 2009 Linotype GmbH. All rights reserved.
We reserve the right of errors and changes.
We reserve the right of errors and changes.