|
|
Scriptuale™ Com Italic
|
| Price: | US$ 65.00 |
|
| ... is part of the Scriptuale™ Font Family, comprising altogether 8 fonts in OpenType Com format. |
Product is contained in:
Technical information
OpenType outline flavour:
OTF - TrueType flavoured
File name: ScriptualeCom-Italic.ttf Windows menu name: Scriptuale Com Italic PostScript name: ScriptualeCom-Italic PostScript full name: Scriptuale Com Italic |
Catalog material number:
36844540
Scriptuale™ Italic
|
| Price: | US$ 39.00 |
|
| ... is part of the Scriptuale™ Font Family, comprising altogether 8 fonts in Windows TrueType format. |
Technical information
File names: lt_57620.ttf, Windows menu names: Scriptuale LT Regular, PostScript names: ScriptualeLT-Italic, PostScript full names: Scriptuale LT Italic, |
Catalog material number:
15157620
Scriptuale™ Italic
|
| Price: | US$ 39.00 |
|
| ... is part of the Scriptuale™ Font Family, comprising altogether 8 fonts in Windows PostScript format. |
Technical information
File names: lt_57620.pfb, Windows menu names: Scriptuale LT Italic, PostScript names: ScriptualeLT-Italic, PostScript full names: Scriptuale LT Italic, |
Catalog material number:
35357620
Scriptuale™ Italic
|
| Price: | US$ 39.00 |
|
| ... is part of the Scriptuale™ Font Family, comprising altogether 8 fonts in Mac PostScript format. |
Technical information
File names: ScripLTIta, PostScript name: ScriptualeLT-Italic PostScript full names: Scriptuale LT Italic, |
Catalog material number:
15057620
Customers who bought this also bought ...
Documents referring to this product ...
The German designer Renate Weise created the fonts Linotype Charon™ (1999) and Linotype Scriptuale™ (2003).
Linotype Charon is part of the Take Type Library, chosen from the entries of the 1999 International Digital Type Design Contest for inclusion on the TakeType 3.1 CD.
Renate Weise studied fine arts in Mainz and works today as a freelance artist. Weise sees Charon as "a typeface with two sides to it. Charon is objective and classic, but not neutral, not an everyday typeface. Charon is [...]
Linotype Scriptuale is a further typeface by Renate Weise, who designed 1999 the Linotype Charon™. Weise studied Fine Arts at Johannes Gutenberg University in Mainz, Germany, with Prof. Alban Grimm and Pamela Stokes.
She teaches calligraphy and lettering. The free works produced in her studio and shown in exhibitions, are compositions of hand lettering within pictures.
The Linotype Scriptuale is based formally on calligraphy and aims to regenerate and extend a so-called Varia-Antiqua [...]
About Scriptuale™ Italic ...
Designer: Renate Weise, 2003
Scriptuale™ Italic belongs to the Scriptuale™ Font Family which is part of the Linotype Originals.
The Scriptuale family, which contains eight typefaces, is a contemporary upright calligraphic face. Designed by German designer Renate Weise in 2003, this family of typefaces speaks to the present, while at the same time reflecting on a lyrical past. The letterforms of the Scriptuale family are romanticized, they reference German calligraphic styles from the 19th and early 20th Centuries. For instance the design of Scriptuale's uppercase strays from the canon of classical proportion into romantic idealism. While the C and O are drawn according to the ancient quadratic proportions - almost twice as wide, optically, as the E or the L - the letter A is wider than would be expected, and the D narrower. These subtle differences introduce a different rhythm into text set in Scriptuale than Italic styles of calligraphy may offer. Scriptuale's Gs merit special notice: both the upper and lower case G lunge slightly forward, further enhancing the dynamic quality of the text. Also unique in Scriptuale's design is the lowercase width: the letterforms appear slightly condensed; they have large x-heights to compensate for this. In a delightful twist, the number 2's beak has been closed by drawing it full-circle, back into the stem: this references a style of letter design that was practiced, among other places, by artists from the old Klingspor foundry in Offenbach Germany. Typefaces constructed there easily captured the zeitgeist of the romantic period, but are less calligraphic than Scriptuale (e.g., Rudolf Koch's Koch Antiqua).
A semi-serif face (like Prof. Hermann Zapf's Optima or Otl Aicher's Rotis Semi), some of Scriptuale's letters have serifs (D), and some do not (A). And although both the B and the E normally have the same "structure" on their left side, Weise has drawn them differently in Scriptuale. These strengthen the calligraphic-like quality of the family.
Traces of the pen are easy to see in Scriptuale's design; it is a thoroughly calligraphic face. The eight typefaces in the Scriptuale family include Light, Regular, Semi Bold, and Bold weights. Each weight has a companion italic. Scriptuale is similar to one other contemporary calligraphic family in the Linotype portfolio, Anasdair, from British designer Richard Yeend.
Quality features
The Platinum Collection is the exclusive series of optimized classic typefaces from the Linotype Library.
XSF-Fonts are OpenType or TrueType fonts with an excellent appearance on screen at small sizes or low resolutions – especially engineered and optimized for exceptionally readable typefaces on computer screens using Microsoft® Windows operating systems.
XSF-Fonts are OpenType or TrueType fonts with an excellent appearance on screen at small sizes or low resolutions – especially engineered and optimized for exceptionally readable typefaces on computer screens using Microsoft® Windows operating systems.
Character set features
Here you can see how many characters the font contains.
The shown symbols give you an impression about the kind of characters the font contains.
You can create a sample using this font.
Character maps
Click in Encoding map to see the characters grouped by the encondings contained in this font.
Product is contained in
Here you can see the names of all products, which contain this font.
Click in the product name to see the product.
Source of digital data
The digital data of a font may be delivered by different digitizing foundries. The entry shows the foundry which digitized this font.
OpenType outline flavour
This information tells you, which technology (PostScript or TrueType) has been used to build the characters of this OpenType font.
Technical font names
Here you learn the names of this font: as a file on a data carrier or in the menus of certain applications after installation.
Catalog material number
This material number uniquely identifies this product.
You can use it to order this product.
For further information do not hesitate to contact us via:
| Phone: | +49 (0) 6172 484-418 |
| Fax: | +49 (0) 6172 484-429 |
| e-mail: | info@linotype.com |
Copyright © 2008 Linotype GmbH. All rights reserved.
We reserve the right of errors and changes.
We reserve the right of errors and changes.










