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Linotype Syntax® Letter Com Light
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| Price: | US$ 65.00 |
| ... is part of the Linotype Syntax® Letter Font Family, comprising altogether 12 fonts in OpenType Com format. |
| Character set features: |
      398 characters 
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Linotype Syntax® Letter Light
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| Price: | US$ 39.00 |
| ... is part of the Linotype Syntax® Letter Font Family, comprising altogether 24 fonts in Windows TrueType format. |
| Character set features: |
246 characters
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Linotype Syntax® Letter Light
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| Price: | US$ 39.00 |
| ... is part of the Linotype Syntax® Letter Font Family, comprising altogether 24 fonts in Windows PostScript format. |
| Character set features: |
246 characters
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Linotype Syntax® Letter Light
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| Price: | US$ 39.00 |
| ... is part of the Linotype Syntax® Letter Font Family, comprising altogether 24 fonts in Mac PostScript format. |
| Character set features: |
245 characters
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Other families by this designer ...
Documents referring to this product ...
Linotype Syntax™ Letter is reminiscent of the style of the Roman Rustic capitals and is a lively contrast to the other Linotype Syntax™ typefaces. Linotype Syntax™ Letter was designed especially for office communications and its forms are perfectly complemented by those of Linotype Syntax™ and Linotype Syntax™ Serif. With six weights, their matching italics, as well as small caps and old style figures, this typeface family includes a total of 24 weights, all including the Euro currency symbol. [...]
Almost half a century has passed since Hans Eduard Meier drew the first pencil sketches in 1955 which would provide the basis for the forms and scope of today´s Linotype Syntax typeface family. Considering the technical developments which led from hot metal composition to digitization, the passage of time is a strong affirmation of the timelessness of the Syntax design. The five weights of Syntax Antiqua were the last hot metal types produced by the German type foundry Stempel AG. The [...]
The sans serif typeface Syntax™ was designed by Switzerland’s Hans Eduard Meier, based on the proportions of a Renaissance roman type. It went into use in 1968 as the last hot-metal typeface from the D. Stempel type foundry. And has remained a classic through a variety of technical changes and adaptations. In collaboration with its creator, a gentle overhaul of the typeface was begun in 1995. Ultimately, after maintaining a manageable size for 20 years with semi-bold, bold and italic, the