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Garamond Classico™ Roman SC

- by Franko Luin
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Garamond Classico™ Roman SC
  Format: Windows TrueType

Price: US$ 26.00
  
... is part of the Garamond Classico™ Font Family, comprising altogether 5 fonts in Windows TrueType format.
Character set features:
euro smallcaps
247 characters
Character maps: Encoding map   
Product is contained in:
GoldEdition 1.7.1 DVD for Mac OS and Windows
Garamond Classico™ Complete Family Value Pack
Technical information  

Garamond Classico™ Roman SC
  Format: Windows PostScript

Price: US$ 26.00
  
... is part of the Garamond Classico™ Font Family, comprising altogether 5 fonts in Windows PostScript format.
Character set features:
euro smallcaps
246 characters
Character maps: Encoding map   
Product is contained in:
GoldEdition 1.7.1 DVD for Mac OS and Windows
Garamond Classico™ Complete Family Value Pack
Technical information  

Garamond Classico™ Roman SC
  Format: Mac PostScript

Price: US$ 26.00
  
... is part of the Garamond Classico™ Font Family, comprising altogether 5 fonts in Mac PostScript format.
Character set features:
euro smallcaps
246 characters
Character maps: Encoding map   
Product is contained in:
GoldEdition 1.7.1 DVD for Mac OS and Windows
Garamond Classico™ Complete Family Value Pack
Technical information  

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Documents referring to this product ...

Sylfaen™ is a Windows system font, and is not part of the Linotype portfolio. Alternative typefaces are Garamond™ and Sabon™.
Claude Garamond – born c. 1480 in Paris, France, died 1561 in Paris, France – type founder, publisher, punch cutter, type designer. 1510: trains as a punch cutter with Simon de Colines in Paris. 1520: trains with Geoffroy Tory. 1530: Garamond’s first type is used in an edition of the book "Paraphrasis in Elegantiarum Libros Laurentii Vallae" by Erasmus. It is based on Aldus Manutius’ type De Aetna, cut in 1455. 1540: King Francis I commissions Garamond to cut a Greek type. Garamond’s ensuing [...]
Designer Franko Luin created the following fonts: Ad Hoc, Baskerville™ Classico, Birka™, Bodoni™ Classico, Carniola™, Caslon Classico™, Devin™, Dialog™, Emona™, Esperanto™, Fortuna™, Garamond Classico™, Griffo Classico™, Humana™, Isolde™, Jenson Classico™, Jesper™, Jonatan™, Kalix™, Kasper™, Kis Classico™, Marco Polo™, Memento™, Miramar™, Norma™, Nyfors™, Odense™, Omnibus™, Pax™, Pax™ #2, Persona™, Ragnar™, Res Publica™, Rustika™, Saga™, Semper™, Transport™, Vega™. These fonts are integrated [...]

About Garamond Classico™ Roman SC ...

Linotype usage sample for Garamond Classico™ Roman SC
Designer: Franko Luin, 1993
Garamond Classico™ Roman SC belongs to the Garamond Classico™ Font Family which is part of the Assorted Collection.
Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the "Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability.

Garamond Classico™ was designed by Franko Luin in 1993, and was based on the forms of Jean Jannon. It includes four weights and small caps.
Search this or similar products by the following keywords: 1500s, 16th century, Ads, Advertisment, Advertisments, anno 1500, Announcements, Book, Business Cards, Catalogs, Catalogues, certificate, Classic, Dictionaries, Dictionary, Encyclopaedia, Encyclopedia, Headline, Instructions, Lexica, Magazine, Manuals, Marriage, Menus, Newsletters, Newspaper, Professional, Readable, SC, Screen, Serif, Small Caps, Static, Text, Transitional, Urkunde, Wedding.

Garamond Classico is a trademark of Omnibus.

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Page last edited: 2008-02-27