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Memphis® Pro Medium
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| Price: | US$ 39.00 |
| ... is part of the Memphis® Font Family, comprising altogether 7 fonts in OpenType Pro format. |
| Character set features: |
       416 characters 
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Memphis® Std Medium
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| Price: | US$ 29.00 |
| ... is part of the Memphis® Font Family, comprising altogether 7 fonts in OpenType Std format. |
| Character set features: |
 253 characters
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Memphis® Medium
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| Price: | US$ 26.00 |
| ... is part of the Memphis® Font Family, comprising altogether 14 fonts in Windows TrueType format. |
| Character set features: |
231 characters
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Memphis® Medium
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| Price: | US$ 26.00 |
| ... is part of the Memphis® Font Family, comprising altogether 14 fonts in Windows PostScript format. |
| Character set features: |
232 characters
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Memphis® Medium
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| Price: | US$ 26.00 |
| ... is part of the Memphis® Font Family, comprising altogether 14 fonts in Mac PostScript format. |
| Character set features: |
247 characters
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Customers who bought this also bought ...
Documents referring to this product ...
Chauncey H. Griffith – born 1879 in Irontown/Ohio, USA, died 1956 in Butler/N.Y., USA – typesetter, machine compositor.
1915: – becomes assistant to the president of Mergenthaler Linotype Company. Newspaper typesetting specialist. 1936: vice president of Mergenthaler Linotype with responsibility for typographic development.
Fonts: Ionic No 5 (1926), Ionic Condensed (1927), Papst (1928–1931), Poster Bodoni™ (1929), Textype (1929), Granjon™ bold (1930), Excelsior™ (1931), Janson (1932), [...]
Rudolf Wolf – born 2. 1. 1895 in Hechingen, Germany, died 7. 9. 1942 in Frankfurt am Main, Germany – advertising manager, type designer, teacher. Studied at the university in Frankfurt am Main. Ph. D.
1922–42: works as advertising manager for D. Stempel AG in Frankfurt am Main, where he is responsible for type design.
Font: Memphis™ (1930).
Publication: "Fraktur und Antiqua", Frankfurt am Main 1934.
* TYPOGRAPHY – An Encyclopedic Survey of Type Design and Techniques Throughout [...]
Initial concepts for comprehensive type systems surfaced as early as the 1930s, yet they remained the exception. In the days of hot-metal typesetting, handbooks generally recommended creating typeface mixtures from a single type family, a family being understood as including all of a typeface’s weights, such as light, normal, semi-bold, and bold, and including all of the italic weights as well. A well-rounded type family also includes small caps, tabular and old-style figures. These days, the [...]
About Memphis® Medium ...
Designer: Rudolf Wolf, 1930
Memphis® Medium belongs to the Memphis® Font Family which is part of the Linotype Originals.
Because of the geometric basis of its forms, Memphis is often thought of as a font for technical fields, making a rational, purposeful impression. This emphasis on objectivity is well-suited to technical texts, but Memphis is appropriate for any text which should exhibit a clear, neutral character.
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