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Palatino® Std Italic
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| Price: | US$ 29.00 |
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| ... is part of the Palatino® Font Family, comprising altogether 10 fonts in OpenType Std format. |
Character set features:
265 characters
Linked font group:
Product is contained in:
Technical information
OpenType outline flavour:
CFF - PostScript flavoured
File name: PalatinoLTStd-Italic.otf Windows menu name: Palatino LT Std PostScript name: PalatinoLTStd-Italic PostScript full name: PalatinoLTStd-Italic |
Catalog material number:
16740824
Palatino® Italic
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| Price: | US$ 26.00 |
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| ... is part of the Palatino® Font Family, comprising altogether 14 fonts in Windows TrueType format. |
Character set features:
231 characters
Linked font group:
Product is contained in:
Technical information
File name: lte50002.ttf Windows menu name: Palatino LT PostScript name: PalatinoLT-Italic PostScript full name: Palatino LT Italic |
Catalog material number:
15650002
Palatino® Italic
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| Price: | US$ 26.00 |
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| ... is part of the Palatino® Font Family, comprising altogether 18 fonts in Windows PostScript format. |
Character set features:
232 characters
Linked font group:
Product is contained in:
Technical information
File names: lte50002.pfb, LT_50002.pfb Windows menu names: Palatino LT Italic, Palatino Italic PostScript names: PalatinoLT-Italic, Palatino-Italic PostScript full names: Palatino LT Italic, Palatino Italic |
Catalog material number:
36150002
Palatino® Italic
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| Price: | US$ 26.00 |
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| ... is part of the Palatino® Font Family, comprising altogether 18 fonts in Mac PostScript format. |
Character set features:
246 characters
Linked font group:
Product is contained in:
Technical information
File name: PalatLTIta PostScript name: PalatinoLT-Italic PostScript full name: Palatino LT Italic |
Catalog material number:
36050002
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See below Palatino® Italic or other typefaces from the Palatino® Font Family in real usage ...
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About Palatino® Italic ...
Designer: Hermann Zapf, 1950
Palatino® Italic belongs to the Palatino® Font Family which is part of the Linotype Originals.
Palatino™ is the work of Hermann Zapf, and is probably the most universally admired and used of his type designs. In 1950, it was punchcut in metal by August Rosenberger at D. Stempel AG typefoundry in Frankfurt am Main, and then adapted for Linotype machine composition. Zapf optim