FONT MAGAZINE – News about typography

The Neue Haas Unica by Toshi Omagari …
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Neue Haas Unica by Toshi Omagari: A subtle reworking of Helvetica

The original purpose behind the creation of the typeface Haas Unica was to provide a sympathetic update of Helvetica. Recently the font designer Toshi Omagari rediscovered the typeface and decided to significantly supplement and extend it.
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New arrivals April 2015: the extravagant KG Ways To Say Goodbye, the technically-futuristic Core Mellow and other fonts

Generous and extensive curves and loops determine the personality of the extravagant calligraphic font KG Ways To Say Goodbye by Kimberly Geswein.
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FF Fago – A well-supported superfamily that is ideal for more than just corporate projects

Thanks to his many years of involvement in major corporate type projects, Ole Schäfer had the necessary resources from which to construct his FF Fago.
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Clearface Gothic

Displays the Zeitgeist of the turn of the 20th century.
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Fortuna

Franko Luin took the name of his font “Fortuna” from that the Roman goddess of luck and fortune, Fortuna.
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Condensed fonts are the eye-catching stars of contemporary font design

It is not only very bold typefaces that can grab the attention of onlookers – very narrow fonts can have the same effect.
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A well-conceived, readily legible antiqua typeface with an historical touch by Brigitte Schuster

Cardamon is the first typeface designed by Brigitte Schuster.
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FF Info: A versatile super family available as display, text and office fonts

Erik Spiekermann, working in collaboration with Ole Schäfer, originally designed FF Info Display for use on wayfinding systems.
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Praxis

Praxis is a flexible and legible typeface that works well in small point sizes and on low-quality paper.
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New arrivals March 2015: the retro brush script Ahkio, the structured sans serif Liszt and other fonts

Derived from signboard scripts of the 1930s, Mika Melvas’ Ahkio is very much in the style of hand-drawn brush fonts.
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