ITC Garamond™ font family


Designed by Edward Benguiat in 1993
Tony Stan in 1977
Claude Garamond in 1499-1561

About ITC Garamond™ font family

Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability.

ITC Garamond® was designed in 1977 by Tony Stan. Loosely based on the forms of the original sixteenth-century Garamond, this version has a taller x-height and tighter letterspacing. These modern characteristics make it very suitable for advertising or packaging, and it also works well for manuals and handbooks. Legible and versatile, ITC Garamond® has eight regular weights from light to ultra, plus eight condensed weights. Ed Benguiat designed the four stylish handtooled weights in 1992."

ITC Garamond

Desktop fonts

16 Typefaces

world-map Std map

STD supports at least 21 languages.

Languages: Features:
ITC Garamond™ Light
US$ 29
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ITC Garamond™ Light Italic
US$ 29
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ITC Garamond™ Book
US$ 29
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ITC Garamond™ Book Italic
US$ 29
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ITC Garamond™ Bold
US$ 29
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ITC Garamond™ Bold Italic
US$ 29
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ITC Garamond™ Ultra
US$ 29
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ITC Garamond™ Ultra Italic
US$ 29
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ITC Garamond™ Light Condensed
US$ 29
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ITC Garamond™ Light Condensed Italic
US$ 29
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ITC Garamond™ Book Condensed
US$ 29
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ITC Garamond™ Book Condensed Italic
US$ 29
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ITC Garamond™ Bold Condensed
US$ 29
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ITC Garamond™ Condensed Bold Italic
US$ 29
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ITC Garamond™ Ultra Condensed
US$ 29
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Languages: Features:
ITC Garamond™ Ultra Condensed Italic
US$ 29
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