Winner Fonts Value Packs

Value Pack 1: Print & Packaging Selection

This Value Pack contains two matching fonts of the Egyptian Slate™ typeface by Rod McDonald – Egyptian Slate Book and Book Italic. The solid, stylish Egyptian Slate, a Slab Serif font, is very contemporary and would be ideal as the focus of your next print design project. In 2011, Egyptian Slate was one of the winners of the “Second Type Design Competition of the Association Typographique Internationale” ATypI.
This pack also contains a third font, Stencil Moonlight™ by Gustavs Andrejs Grinbergs. Based on a stencil font concept, it is most effective in larger point sizes and can be used in packaging design and in headlines. Stencil Moonlight won the second prize in the “Display” category in the 2003 International Type Design Contest.
More information about Egyptian Slate and Stencil Moonlight.

Value Pack 2: Art & Exhibition Selection

Use the very elegant appearance of the Neue Haas Grotesk™ Display 25 XThin font for your cards, catalogues or posters. Designed by Christian Schwarz and based on the original Helvetica® family of Max Miedinger, Neue Haas Grotesk family was among the winners of the “2nd Type Design Competition of the Association Typographique Internationale“ in 2011.
Linotype Belle™, the second font in the selection, has a significantly more dynamic feel to it. The font, the creation of Swiss designer Isabelle Stutz, consists solely of capital letters and emulates sweeping handwriting written with an ink pen. Linotype Belle was one of the prize-winners in the third International Type Design Contest of Linotype in 2000.
A light swing in the upstroke lends the letters of Luba™ Regular by Hendrik Möller a special note. Very legible, outstandingly developed and equipped with numerous OpenType functions, the font is ideally suited to your texts. Thanks to Cyrillic letters, which are not part of the fonts of this selection, Luba was one of the prize-winners in the Granshan Competition 2009.
More information about Neue Haas Grotesk, Linotype Belle, and Luba.

Value Pack 3: Fantasy Selection

The third Value Pack in our Winning Fonts series opens a door to the world of fairy tales, myths and adventure.
The Carlin Script™ Medium by Hans-Jürgen Ellenberger was inspired by the Carolingian minuscule script. The font is evocative of manuscripts of the period and seems to emanate the mysterious aura of the early Middle Ages at the time of Charlemagne. Carlin Script was one of the winners of the 2003 Type Design Competition of the Type Directors Club.
The unusual shapes of the Marcu San™ Regular typeface, designed by Marcus Leis Allion, are clear and expressive, but have all the romance of a fairy tale. This font, created from various circular forms, won an award at the Second International Type Design Contest in 1997.
The third font in our selection is Julia Borisovna Balasheva’s pictogram font Lubok™ Regular. Among the various animal forms, you will find those of a variety of mythical creatures. Lubok Regular was among the prize winners at the 2003 International Type Design Contest.
More information about Carlin Script, Marcu San, and Lubok.

Value Pack 4: Display Selection

These three prize-winning display fonts will provide the solution to countless design-related needs.
The distinctive Balder™ Regular by Lutz Baar was among the award-winning fonts of the First International Type Design Contest in 1994. This forceful majuscule font looks as it has been written with a thick marker pen and will help give type designs a quite unique quality.
Somewhat more restrained is Ambigue™ Book, which won first prize in the German Kurt Christians-Förderpreis 1997/98 competition. The subtle variations of stroke thickness and the delicate hints of serifs on the otherwise linear Grotesque typeface are particularly effective in the larger font sizes.
Linotype Ergo™ Sketch by Gary Munch can provide texts with a hint of hand-made panache. This apparently roughly drafted outline font was a prize-winner in the 2001 bukva:raz! competition.
More information about Balder, Ambigue, and Linotype Ergo.

Value Pack 5: Text Fonts Selection

In their smaller sizes, text fonts not only need to be clearly and effortlessly legible, but also need to retain their specific characteristics. And this is something that the three versions of the two award-winning script fonts contained in this Value Pack readily achieve.
The Baroque antiqua typeface Bohemia™ Regular by Eduardo Manso retains certain aspects of transitional antiqua typefaces, such as Baskerville, but is more multi-faceted and lively than many of the representatives of this font genre. Bohemia won a major prize at the 2003 International Design Content and was also given an award by the Type Directors Club of New York in 2004.
Also present in this Value Pack are Hildegard™ Regular and Hildegard Italic, two variants of the sans serif Hildegard designed by Jan Sonntag. With its lines reminiscent of calligraphic forms, this font will provide text designs with individual nuances even in its small sizes. Hildegard was one of the prize winners of the 2003 International Type Design Contest.

More information about Bohemia and Hildegard.

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