|Smelling good at number one is Gottfried Pott’s Potpourri™, a free-flowing and lively display face. Beautiful forms and textures, and some delicious ligatures.|
More information about Potpourri.
|Sumner Stones’ eponymous sans serif, part of the ITC Stone® font family group. ITC Stone Sans II has enough weights and styles to keep even the most demanding typographer happy.|
More information about ITC Stone Sans II.
|Max Miedinger’s Helvetica®, one of the most popular typefaces of all time was joined by a monospaced counterpart. And not just for programmers. Why not try it for captions too!|
More information about Helvetica Monospaced.
|Jim Wasco’s elegant and beautifully drawn script based on Ed Benguiat’s logo for the International Typeface Corporation.|
More information about Elegy™.
|Clean and simple forms inspired by the super ellipse. Francker™ is a stylish, confident, contemporary sans with attitude.|
More information about Francker.
|Tom Grace’s Aeris™, a legible and open text face family of 16 fonts brings together the rhythm of a sans serif with the contrast and flexed strokes of a script.|
More information about Aeris.
|Manfed Kloppert’s dynamic, lively, and assertive script. Its flair and aplomb have proven very popular indeed.|
More information about Challenger™.
|Difficult to categorize, but easy to fall in love with. Fluid, friendly, and surprisingly legible. A script, an Italic, an Italic script? However you describe it, you’re sure to find a use for it.|
More information about Mantika™ Informal.
|A gorgeous, free-flowing script that you’ll really enjoy experimenting with. Comes with numerous alternates including initial and terminal glyphs, and swash caps.|
More information about WilliamLucas™.
|A low contrast, connecting script with roots in 1930’s advertising lettering.|
More information about Stempel Elan™.