ITC Chino™ font family


Designed by Hannes von Döhren
With two styles and twelve weights, the ITC Chino family is distinctive, versatile - and available as OpenType Pro fonts. The display designs are friendly and inviting while the text faces are no-nonsense communicators - albeit with a certain sparkle. This new family from Hannes von Döhren and Livius Dietzel is poised to become an important design tool.

A study in contrasts
The ITC Chino typeface family is a study in contrasts: twelve family members ranging from fanciful, script-like display designs, to typefaces with a decidedly judicious demeanor well-suited for text composition. Designers Hannes von Döhren and Livius Dietzel collaborated on the entire family, and the result is lighthearted and uncomplicated - with a bit of urban sophistication.
Emotional but with a big city flavor"
Von Döhren and Dietzel live and work in Berlin. They wanted ITC Chino to reflect their environment, but with a definite organic quality. "We sought to make Chino emotional and have a big city flavor at the same time,"says von Döhren. "Our challenge was to balance these divergent qualities throughout the designs." He adds, "We combined straight stems with soft curves to give a feeling of thoughtful clarity blended with playfulness."

Friendly but focused
ITC Chino Display is friendly but focused, intended for setting few words in large sizes. Its two weights of Thin and Ultra are good-natured typefaces made of soft curves, contrasting straight vertical strokes and playfully structured terminals. The Thin is a chic monoline melding of script and sans serif character traits while the Ultra is a more whimsical - and more substantial - interpretation of this theme. Seemingly stylistic opposites, both designs serve as perfect complements to the text typefaces of ITC Chino.

A typeface with a big typographical palette
The text side of the family contains five weights of roman, each with an italic companion. Ranging from Light to Black, ITC Chino provides a rich typographic palette. Slightly condensed character shapes and squared-off transition strokes replace the soft full curves of the display designs. While the lowercase benefits from a two-storied "a" and bowl-and-loop "g" as aids to legibility, and the playful aspects of the display design are incorporated as soft background melodies, von Döhren and Dietzel drew ITC Chino with simplicity as their design mantra. "We drew the text faces from scratch," says Dietzel, "minimizing the personality of the display designs to create optimal readability.""

ITC Chino Display Thin

ITC Chino
world-map Std map

Std / OT TTF

supports at least

21 languages.















Technical details
Digital data from:
OpenType outline flavour:
TTF - TrueType-Outlines
Technical font names:
File name: ChinoDisplayITCStd-Thin.ttf
Windows menu name: Chino Display ITC Std Thin
PostScript name: ChinoDisplayITCStd-Thin
PostScript full name: Chino Display ITC Std Thin
Catalog number:
168346074
Characters:
326
US$ 54
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Features

Languages

Denominators

Tag: dnom

Function: Replaces selected figures which follow a slash with denominator figures. In the string 11/17 selected by the user, the application turns the 17 into denominators when the user applies the fraction feature.

Fractions

Tag: frac

Function: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.

Standard Ligatures

Tag: liga

Function: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions. The glyph for ffl replaces the sequence of glyphs f f l.

Numerators

Tag: numr

Function: Replaces selected figures which precede a slash with numerator figures, and replaces the typographic slash with the fraction slash. In the string 11/17 selected by the user, the application turns the 11 into numerators, and the slash into a fraction slash when the user applies the fraction feature.

Ordinals

Tag: ordn

Function: Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature. The user applies this feature to turn 2.o into 2.o (abbreviation for secundo).

Scientific Inferiors

Tag: sinf

Function: Replaces lining or oldstyle figures with inferior figures (smaller glyphs which sit lower than the standard baseline, primarily for chemical or mathematical notation). May also replace lowercase characters with alphabetic inferiors. The application can use this feature to automatically access the inferior figures (more legible than scaled figures).

Superscript

Tag: sups

Function: Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles). The application can use this feature to automatically access the superior figures (more legible than scaled figures) for footnotes, or the user can apply it to Mssr to get the classic form.

Stylistic Alternates

Tag: salt

Function: Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates. The user applies this feature to Industria to get the alternate form of g.

Sylistic Set 1

Tag: ss01

Function: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Sylistic Set 2

Tag: ss02

Function: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Sylistic Set 3

Tag: ss03

Function: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Sylistic Set 4

Tag: ss04

Function: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in d

Tag: Basic Latin

Function: These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.