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Scriptuale™ Com Bold
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| Price: | US$ 65.00 |
| ... is part of the Scriptuale™ Font Family, comprising altogether 8 fonts in OpenType Com format. |
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388 characters |
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Scriptuale™ Bold
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| Price: | US$ 39.00 |
| ... is part of the Scriptuale™ Font Family, comprising altogether 8 fonts in Windows TrueType format. |
| Character set features: |
247 characters |
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Scriptuale™ Bold
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| Price: | US$ 39.00 |
| ... is part of the Scriptuale™ Font Family, comprising altogether 8 fonts in Windows PostScript format. |
| Character set features: |
246 characters |
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Scriptuale™ Bold
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| Price: | US$ 39.00 |
| ... is part of the Scriptuale™ Font Family, comprising altogether 8 fonts in Mac PostScript format. |
| Character set features: |
246 characters |
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Documents referring to this product ...
Still searching for the perfect font or ornament for this year’s Christmas cards or holiday party invitations? Allow us to come to the rescue! Before you give up hope, make sure to visit our new X-Mas Font Feature page. Here we’ve collected images showing great ways to use a number of appropriate text, headline, and symbol fonts. We are sure to have the style you are looking for!
Here is a selection of hidden font gems. You might know some of these designs already … but do you know them all?
We hope that you enjoy sifting through this selection!
The German designer Renate Weise created the fonts Linotype Charon™ (1999) and Scriptuale™ (2003).
Linotype Charon is part of the TakeType Library, chosen from the entries of the 1999 International Digital Type Design Contest.
Renate Weise studied fine arts in Mainz and works today as a freelance artist. Weise sees Charon as "a typeface with two sides to it. Charon is objective and classic, but not neutral, not an everyday typeface. Charon is modern and its animated, curving letters seek [...]
Font Designer: Renate Weise, 2003
Scriptuale™ is a further typeface by Renate Weise, who designed 1999 the Linotype Charon™. Weise studied Fine Arts at Johannes Gutenberg University in Mainz, Germany, with Prof. Alban Grimm and Pamela Stokes.
She teaches calligraphy and lettering. The free works produced in her studio and shown in exhibitions, are compositions of hand lettering within pictures.
The Scriptuale is based formally on calligraphy and aims to regenerate and extend a [...]
Font Designer: Renate Weise, 2003
Linotype Scriptuale™ is a further typeface by Renate Weise, who designed 1999 the Linotype Charon™. Weise studied Fine Arts at Johannes Gutenberg University in Mainz, Germany, with Prof. Alban Grimm and Pamela Stokes.
She teaches calligraphy and lettering. The free works produced in her studio and shown in exhibitions, are compositions of hand lettering within pictures.
The Linotype Scriptuale is based formally on calligraphy and aims to [...]
Proposals and sketches of various designs by Renate Weise
Display Fonts
About Scriptuale™ Bold ...
Designer: Renate Weise, 2003
Scriptuale™ Bold belongs to the Scriptuale™ Font Family which is part of the Linotype Originals.
The Scriptuale family, which contains eight typefaces, is a contemporary upright calligraphic face. Designed by German designer Renate Weise in 2003, this family of typefaces speaks to the present, while at the same time reflecting on a lyrical past. The letterforms of the Scriptuale family are romanticized, they reference German calligraphic styles from the 19th and early 20th Centuries. For instance the design of Scriptuale's uppercase strays from the canon of classical proportion into romantic idealism. While the C and O are drawn according to the ancient quadratic proportions - almost twice as wide, optically, as the E or the L - the letter A is wider than would be expected, and the D narrower. These subtle differences introduce a different rhythm into text set in Scriptuale than Italic styles of calligraphy may offer. Scriptuale's Gs merit special notice: both the upper and lower case G lunge slightly forward, further enhancing the dynamic quality of the text. Also unique in Scriptuale's design is the lowercase width: the letterforms appear slightly condensed; they have large x-heights to compensate for this. In a delightful twist, the number 2's beak has been closed by drawing it full-circle, back into the stem: this references a style of letter design that was practiced, among other places, by artists from the old Klingspor foundry in Offenbach Germany. Typefaces constructed there easily captured the zeitgeist of the romantic period, but are less calligraphic than Scriptuale (e.g., Rudolf Koch's Koch Antiqua).
A semi-serif face (like Prof. Hermann Zapf's Optima or Otl Aicher's Rotis Semi), some of Scriptuale's letters have serifs (D), and some do not (A). And although both the B and the E normally have the same "structure" on their left side, Weise has drawn them differently in Scriptuale. These strengthen the calligraphic-like quality of the family.
Traces of the pen are easy to see in Scriptuale's design; it is a thoroughly calligraphic face. The eight typefaces in the Scriptuale family include Light, Regular, Semi Bold, and Bold weights. Each weight has a companion italic. Scriptuale is similar to one other contemporary calligraphic family in the Linotype portfolio, Anasdair, from British designer Richard Yeend.
Search this or similar products by the following keywords: 1400s, 15th century, anno 1400, CE, Central European, Com, OpenType, OT.
Quality features
The Platinum Collection is the exclusive series of optimized classic typefaces from the Linotype Library.
XSF-Fonts are OpenType or TrueType fonts with an excellent appearance on screen at small sizes or low resolutions – especially engineered and optimized for exceptionally readable typefaces on computer screens using Microsoft® Windows operating systems.
XSF-Fonts are OpenType or TrueType fonts with an excellent appearance on screen at small sizes or low resolutions – especially engineered and optimized for exceptionally readable typefaces on computer screens using Microsoft® Windows operating systems.
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