Optima nova® font family


Designed by Adrian Frutiger
Linotype Design Studio
Akira Kobayashi
Hermann Zapf in 2002

About Optima nova® font family

Optima™ was designed by Hermann Zapf and is his most successful typeface. In 1950, Zapf made his first scetches while visiting the Santa Croce church in Florence. He sketched letters from grave plates that had been cut about 1530, and as he had no other paper with him at the time, the sketches were done on two 1000 lire bank notes. These letters from the floor of the church inspired Optima, a typeface that is classically roman in proportion and character, but without serifs. The letterforms were designed in the proportions of the Golden Ratio. In 1952, after careful legibility testing, the first drawings were finished.
The type was cut by the famous punchcutter August Rosenberger at the D. Stempel AG typefoundry in Frankfurt. Optima was produced in matrices for the Linotype typesetting machines and released in 1958. With the clear, simple elegance of its sans serif forms and the warmly human touches of its tapering stems, this family has proved popular around the world. In 2002, when it was finally possible to produce digital alphabets without technical limitations and compromises, and more than 50 years after the first sketches, an expansion and redesign of the Optima family was completed and released as Optima nova.
Hermann Zapf and Japanese type designer Akira Kobayashi collaborated on the project, which included re-working of the existing weights and the addition of several new weights for a total of 40 fonts. Small caps, Old style Figures, light, heavy, and condensed fonts have been added.
The original Optima was never manufactured with a real italic, only an oblique version of the roman. Optima™ nova has a complete range of beautifully designed real italics; the new italic forms , of the e, f and g are especially notable.
The titling face includes capital letters with special and unusual letter combinations and ligatures, making it an excellent choice for headlines, logos and advertising purposes. Optima continues to be an all-purpose typeface; and Optima nova works for just about anything from book text to signage."

Optima nova

Web fonts

30 Web Fonts

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Web font license includes all available language options.

Light
Languages:
Optima nova® Light
US$ 79
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Light SC
Optima nova® Light SC
Light Italic
Languages:
Optima nova® Light Italic
US$ 79
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Light Italic SC
Optima nova® Light Italic SC
Regular
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Optima nova® Regular
US$ 79
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Regular SC
Optima nova® Regular SC
Italic
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Optima nova® Italic
US$ 79
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Italic SC
Optima nova® Italic SC
Medium
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Optima nova® Medium
US$ 79
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Medium SC
Optima nova® Medium SC
Medium Italic
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Optima nova® Medium Italic
US$ 79
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Medium Italic SC
Optima nova® Medium Italic SC
Demi
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Optima nova® Demi
US$ 79
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Demi SC
Optima nova® Demi SC
Demi Italic
Languages:
Optima nova® Demi Italic
US$ 79
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Demi Italic SC
Optima nova® Demi Italic SC
Bold
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Optima nova® Bold
US$ 79
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Bold SC
Optima nova® Bold SC
Bold Italic
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Optima nova® Bold Italic
US$ 79
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Bold Italic SC
Optima nova® Bold Italic SC
Heavy
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Optima nova® Heavy
US$ 79
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Heavy Italic
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Optima nova® Heavy Italic
US$ 79
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Black
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Optima nova® Black
US$ 79
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Black Italic
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Optima nova® Black Italic
US$ 79
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Condensed Light
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Optima nova® Condensed Light
US$ 79
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Condensed Regular
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Optima nova® Condensed Regular
US$ 79
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Condensed Medium
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Optima nova® Condensed Medium
US$ 79
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Condensed Demi
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Optima nova® Condensed Demi
US$ 79
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Condensed Bold
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Optima nova® Condensed Bold
US$ 79
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Titling
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Optima nova® Titling
US$ 79
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