Im Folgenden befindet sich eine Auswahl hochqualitativer gebrochener Schriften, dies ist eine Auswahl der Linotype Schriftexperten. – Lassen Sie sich von unseren persönlichen Favoriten inspirieren!
|
||||||||||||||||||||||||
|
||||||||||||||||||||||||
|
||||||||||||||||||||||||
|
||||||||||||||||||||||||
|
||||||||||||||||||||||||
Dokumente, die sich auf diese Artikel beziehen ...
Born: London, 5 April 1945
Education: Kings College, Taunton, and Cambridge School of Art.
Art director, caricaturist and type designer.
ART DIRECTOR
The Wall Street Journal Europe
1999 –
Die Welt
1998–1999
Redesigned the newspaper; Drew daily editorial cartoons.
Drew logotype for Berliner Morgenpost
International Herald Tribune
1987–1998
Redesigned the newspaper. Drew editorial cartoons.
The New York Times
1978–1987
Designed the Financial sections and business [...]
Dutch designer Julius de Goede created the following fonts: Amadeo™, Augusta™ (1999), Bernhardt Standard™ (2003), Frakto™ (2003), Linotype Gaius™ (2002), Julius Primary™ (1998) and Rockner™ (2003).
Karlgeorg Hoefer was born on February 6th, 1914 in Schlesisch-Drehnow. Following schooling in Schlesien and Hamburg, he served a four-year typesetting apprenticeship from 1930-1934 in Hamburg. After two years of military service, he studied at the Kunstgewerbeschule (School of Arts and Crafts) in Offenbach am Main and then worked in Potsdam. From 1939 until 1945 he was in active military service and was also a prisoner of the Russians.
His activities as a calligrapher began after his [...]
The German designer Johannes Plass created the fonts Linotype Animalia™, Linotype Atomatic™ and Linotype Auferstehung™ in 1997. These fonts are included in the TakeType Library, chosen from the contestants of Linotype's International Digital Type Design Contests of 1994 and 1997.
Linotype Animalia is full of surprises. It is like a walk through the zoo, where the j is a shark chasing a small fish and the K is a moose gazing at the sky. Linotype Animalia is intended exclusively for use in [...]
The father and son team of Demetrio E. and Leslie Carbarga of New York created the Cabarga™ Cursiva display face in 1982. Coupling luscious curves with a sporty inline, this typeface exudes holiday cheerfulness. Carbarga Cursiva would be a great choice for your holiday newsletter’s headlines.
Leslie Cabarga created the fonts Cabarga™ Cursiva (1982, with Demetrio E. Cabarga) and Central Station™ (1999).
Prof. Karlgeorg Hoefer was one one the most influential calligraphers of the 20th Century. Aside from leading numerous workshops inside the United States, as well as abroad, he taught for decades at the Hochschule für Gestaltung in Offenbach am Main (Germany). One of his most representative typefaces is Salto, which he developed in 1952 for the Klingspor foundry in Offenbach.
More about the fonts:
Beneta™
Karlgeorg Hoefer designed Beneta in 1991, inspired by the Littera beneventana, the [...]
Font Designer: Johannes Plass, 1997
German designer Johannes Plass was influenced by historic broken letter faces, particularly Caslon Gotisch&trade, although the rounded corners give the font a handwritten look. Linotype Auferstehung™ is particularly good for headlines in larger point sizes.
Font Designer: Johannes Plass, 1997
Linotype Auferstehung™ is part of the Take Type Library, selected from contestants of Linotype’s International Digital Type Design Contest of 1994 and 1997. German designer Johannes Plass was influenced by historic broken letter faces, particularly Caslon Gotisch, although the rounded corners give the font a handwritten look. Linotype Auferstehung is particularly good for headlines in larger point sizes.
Works and Samples of Richard Yeend
Über Gebrochene Schriften

Falls Sie weitere Informationen wünschen, kontaktieren Sie uns bitte unter:
| Telefon: | +49 (0) 6172 484-418 |
| Fax: | +49 (0) 6172 484-499 |
| E-Mail: | info@linotype.com |
© 2009 Linotype GmbH. Alle Rechte vorbehalten.
Irrtümer und Änderungen vorbehalten.
Irrtümer und Änderungen vorbehalten.


















