Trouver d’autres Fonctions de Fontes dans nos Archives de Présentation de Fontes.
Capturez les esprits d’Halloween avec ces 33 fontes sinistres !
Ces fontes sont faites pour vous ! Que vous organisiez une soirée, cherchiez une maison hantée ou que vous vouliez simplement créer une atmosphère macabre.
L’Halloween Value Pack contient cinq superbes fontes à un tarif unique et avantageux. Y figurent également trois polices de caractères effrayantes et deux fontes Pi terrifiantes !
Nous proposons également beaucoup d’autres graisses individuelles.
[...]Richard Isbell, a contemporary graphic designer and type designer of Detroit, Michigan, created the fonts Americana® (1965) and ITC Isbell® (1981, with Jerry Cambell). He designed Americana in honor of the then upcoming U.S. Bicentennial. The most distinguishing feature about Americana is its extremely large x-height. The letter proportions are very wide, with short ascenders and descenders. Americana works well for short texts, such as headlines or ad copy.
ITC Isbell, is a highly
[...]The British designer Ed Bugg created the fonts Linotype Agogo™ (1997), Kanban™ (1992) and Linotype Sunburst™ (1997). Linotype Agogo and Linotype Sunburst are included in the TakeType Library, chosen from the contestants of Linotype's International Digital Type Design Contests of 1994 and 1997.
Linotype Agogo is reminiscent of the elegant 1920s and 1930s. It is a calligraphy font with five weights, one regular and four swash. The regular weight alone is clear and legible enough even for longer
[...]American designer Stanley Davis created the font Amelia™ in 1965. What sets Linotype Amelia apart from all the rest are its unusual inner spaces. Their teardrop forms lead the readers eye through the line of text. These teardrop shapes can also be seen in the contours of the characters themselves, making the letters look rounded and flexible. Amelia speaks the language of the digital age. The flowing strokes and round forms give it an uncomplicated and lively look.
The designer Arthur Baker created the following fonts: Amigo™, Baker Signet™, Kigali™, Marigold™, Oxford™, Pelican™, Sassafras™, Visigoth™.
John Benson – born 1939 in Newport, Rhode Island, USA – lettering artist, stonecarver.
John Benson has designed and carved headstones, civic and memorial tablets, and architectural lettering since he graduated from the Rhode Island School of Design as a sculpture major. In 1964, he was commissioned to design and carve the inscriptions for the Kennedy Memorial at Arlington Cemetery. John Benson created inscriptions for famous buildings such as the Prudential Center in Boston, the National
[...]Colin Brignall – born 1940 in Warwickshire, England – photographer, type designer, art director. Started work as photographer for the fashion trade, the press and industry.
1964: joins the Letraset Type Studio as photographic technician. Since 1974: type designer for Letraset International. Since 1980: type director for Esselte Letraset in London.
Fonts: Countdown™ (1965), Aachen™ (1969), Premier™ Lightline (1969), Revue™ (1969), Premier™ shaded (1970), Superstar™ (1970), Octopuss™
[...]The designer Roland John Goulsbra created the fonts Linotype Agrafie™ in 1994. This font family is included in the TakeType Library, chosen from the contestants of Linotype's International Digital Type Design Contests of 1994 and 1997.
In 2002 Roland John Goulsbra created the font Linotype Textur™.
Designer Jan Tomás created the fonts Linotype Alphabat™, Linotype Element™, Linotype Silver™ and Linotype Startec™ in 1999.
These fonts are part of the Take Type Library, chosen from the entries of the 1999 International Digital Type Design Contest for inclusion on the TakeType 3.1 CD.
When you look closely to Linotype Alphabat, the figures start to change from letters into flying bats and scary faces. Linotype Alphabat can be used for very short texts however it is particularly effective
[...]German designer Hermann Zapf created the following fonts:
Aldus® (1954), Aldus Nova (2005), Aurelia™ (1983), Comenius® Antiqua BQ (1976), Edison™ (1978), Kompakt™ (1954), Marconi® (1976), Medici® Script (1971), Melior® (1952), Noris Script® (1976), Optima® (1958), Optima nova (2002), Orion™ (1974), Palatino™® (1950), Palatino nova (2005), Palatino™ Sans (2006), Saphir™ (1953), Sistina® (1950), Vario™ (1982), Venture™ (1969), Virtuosa® Classic (2009),
[...]Designer Franko Luin created the following fonts: Ad Hoc, Baskerville™ Classico, Birka™, Bodoni™ Classico, Carniola™, Caslon Classico™, Devin™, Dialog™, Emona™, Esperanto™, Fortuna™, Garamond Classico™, Griffo Classico™, Humana™, Isolde™, Jenson Classico™, Jesper™, Jonatan™, Kalix™, Kasper™, Kis Classico™, Marco Polo™, Memento™, Miramar™, Norma™, Nyfors™, Odense™, Omnibus™, Pax™, Pax™ #2, Persona™, Ragnar™, Res Publica™, Rustika™, Saga™, Semper™, Transport™, Vega™.
Franko Luin, born 6. 4.
[...]The German designer Roman Sehrer created the font Ad Pro™ in 2004.
Roman Sehrer has digitized his handwriting to create a family of three fonts to meet your free-feeling and laid back design needs. He recommends that you try this family out on posters, logos, and restaurant menus, where in each case it will offer a great combination and contrast to traditional sans serifs like Helvetica® or like Univers®.
Founded by Cynthia Hollandsworth Batty in the mid-1980s with the goal of creating new typefaces. There was some collaboration with the calligrapher Arthur Baker.
Hermann Zapf is renowned the world over as a master calligrapher and type designer. Throughout his tremendous life, he has contributed volumes to the history of typography. His oeuvre encompasses text faces, symbol fonts, and even script designs, such as the new classic Zapfino. So many of his typefaces have entered our daily lives that it is impossible to image contemporary design without them. Below are all of his digital designs for Linotype.
More about the fonts:
Aldus™
This typeface
[...]Platinum Collection Fonts
Introduction
Autrefois, en l’absence d’ordinateur, d’imprimantes ou de traceurs, dessinateurs et commerçants n’avaient pas la possibilité de dessiner et d’imprimer en un clin d’œil, de nombreuses enseignes de boutique étaient peintes à la main par des dessinateurs de pancartes. Ces artisans ont inspiré à des générations de dessinateurs de caractères des fontes de titrage similaires, désormais omniprésentes. Si vous travaillez dans un magasin, ou dans le commerce de détail, vous apprécierez
[...]
AdPro, Agrafie, Amelia, Linotype Agogo and Linotype Alphabat are trademarks of Linotype GmbH and may be registered in certain jurisdictions. Aldus is a trademark of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.
Alexa and Andreas are trademarks of Adobe Systems Incorporated which may be registered in certain jurisdictions.
Amigo is a trademark of Alpha Omega Typography.
Algerian Condensed, ITC Aftershock, ITC Airstream and ITC Angryhog are trademarks of International Typeface Corporation and may be registered in certain jurisdictions.
Americana is a registered trademark of Kingsley/ATF.
Ad Hoc is a trademark of Omnibus.
Albertus is a trademark of The Monotype Corporation registered in the United States Patent and Trademark Office and may be registered in certain jurisdictions.
