1972 The Federation of Type Foundries and the Type Foundry Employer’s Association in Frankfurt are dissolved. The Haas’sche type foundry in Basel/Münchenstein takes over the type foundry Deberny & Peignot, Paris. The typeface collection of Deberny & Peignot included: Acier noir (A. M. Cassandre) 1936 Amethyste (G. Vidal) 1954 Astrée (R. Girard) 1921 Auriol™ (G. Auriol) 1903 Bifur (A. M. Cassandre) 1928 Bolide (G. Vidal) 1954 Chaillot (M. Jacno) Nicolas Cochin™ 1912 Contact (I. Reiner) 1952 Cristal Initiales (R. Peignot) 1955 Eclair (M. Vox) 1935 Floride (I. Reiner) 1939 Garamont (G. + C. Peignot) Giraldon (A. Giraldon) Grasset (E. Grasset) 1898 Meridien™n (A. Frutiger) 1957 Ondine™ (A. Frutiger) 1954 Peignot™ (A. M. Cassandre) 1937 Phoebus (A. Frutiger) 1953 President™ (A. Frutiger) 1954 Touraine (A. M. Cassandre) 1947 Univers™ (A. Frutiger) 1957 1970 Following the collapse of the type foundry C. E. Weber, Stuttgart (established in 1827), a part of the typeface collection is taken over by D. Stempel AG. The typeface collection of C. E. Weber included: Amati (G. Trump) 1951 Aurora Grotesk Bison (J. Kirn) 1938 Chronika (W. Jacobs) 1936 Codex™ (G. Trump) 1954 Delphin™ (G. Trump) 1951 Deutsch Römisch (F. H. Schneidler) 1923 Druckhaus Antiqua 1919 Forelle (E. Mollwitz) 1936 Forum (G. Trump) 1948 Gabriele (H. Möhring) 1938 Jaguar™ (G. Trump) 1965 Kontrast (F. H. Schneidler) 1930 Palomba (G. Trump) 1954 Schadow Antiqua 1938 Signum (G. Trump) 1955 Suevia Fraktur (F. H. Schneidler) Time Script™ (G. Trump) 1956 Trump Mediaeval™ (G. Trump) 1954 1969 Linotype introduces the “Linotron 505,”a cathode ray typesetting machine. 1968 D. Stempel AG begins producing typefaces for photo typesetting. 1967 The “Linotron 1010,” the result of a joint venture between Linotype and CBS, is installed at the U.S. Government Printing Office. 1966 Introduction of the “Lino Quick Setter,” a photo typesetting machine from Linotype capable of setting 24 000 characters per hour. 1963 Linotype takes over the type foundry Genzsch + Heyne, Hamburg (established 1833). The typeface collection of Genzsch + Heyse included: Anemone (E. Mollwitz) 1955 Basalt (E. Ege) 1926 Brahms Gotisch (H. Beck) 1937 Czeschka Antiqua (C. O. Czeschka) 1914 Domina (A. Auspurg) 1929 Ege-Schrift (E. Ege) 1921 Fortuna (F. Bauer) 1930 Fox (W. Rebhuhn) 1953 Genzsch Antiqua (F. Bauer) 1906 Genzsch Fraktur (F. Bauer) 1931 Gigant (H. Schmidt) 1926 Glaß Antiqua (F. P. Glaß) 1912 Heraldisch (O. Hupp) 1910 Heyse Antiqua (F. Bauer) 1921 Hobby (W. Rebhuhn) 1955 Horizontale (K. Klauß) 1942 Lithograph (Eickhoff) 1903 Monument (H. Schmidt) Neudeutsch (O. Hupp) 1900 Numismatisch (O. Hupp) 1900 Oleander (J. Kirn) 1938 Olympia (C. O. Czeschka) 1929 Phalanx (H. Möhring) 1931 Rex (C. Adam) 1924 Semper Antiqua (H. Pauser) 1940 Senats Fraktur (F. Bauer) 1907 Souverän (A. Auspurg) 1913 Suberpia (H. König) 1913 Urdeutsch (A. Heimberg) 1924 Verona (H. Matheis) 1958 |
Auriol is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. Cochin, Delphin, Meridien, Peignot, Trump Mediaeval and Univers are trademarks of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH. Ondine, President and Time Script are trademarks of Linotype GmbH and may be registered in certain jurisdictions.
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We reserve the right of errors and changes.