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Bauer Bodoni™ Std Italic
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| Price: | US$ 29.00 |
| ... is part of the Bauer Bodoni™ Font Family, comprising altogether 8 fonts in OpenType Std format. |
| Character set features: |
277 characters |
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Bauer Bodoni™ Italic
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| Price: | US$ 26.00 |
| ... is part of the Bauer Bodoni™ Font Family, comprising altogether 13 fonts in Windows TrueType format. |
| Character set features: |
234 characters |
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Bauer Bodoni™ Italic
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| Price: | US$ 26.00 |
| ... is part of the Bauer Bodoni™ Font Family, comprising altogether 21 fonts in Windows PostScript format. |
| Character set features: |
233 characters |
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Bauer Bodoni™ Italic
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| Price: | US$ 26.00 |
| ... is part of the Bauer Bodoni™ Font Family, comprising altogether 21 fonts in Mac PostScript format. |
| Character set features: |
247 characters |
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See below Bauer Bodoni™ Italic or other typefaces from the Bauer Bodoni™ Font Family in real usage ...
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Documents referring to this product ...
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Optical Spacing Option in Adobe InDesign
In Adobe InDesign, there is an Optical Spacing option available for the spacing between individual glyph pairs, or kerning. The Optical Spacing selection overrides the metrics information stored in the font file itself, or specific values that one enters [...]
About Bauer Bodoni™ Italic ...
Designer: Heinrich Jost, 1926
Bauer Bodoni™ Italic belongs to the Bauer Bodoni™ Font Family which is part of the Assorted Collection.
Giambattista Bodoni (1740-1813) was called the King of Printers; he was a prolific type designer, a masterful engraver of punches and the most widely admired printer of his time. His books and typefaces were created during the 45 years he was the director of the fine press and publishing house of the Duke of Parma in Italy. He produced the best of what are known as "modern" style types, basing them on the finest writing of his time. Modern types represented the ultimate typographic development of the late eighteenth and early nineteenth centuries. They have characteristics quite different from the types that preceded them; such as extreme vertical stress, fine hairlines contrasted by bold main strokes, and very subtle, almost non-existent bracketing of sharply defined hairline serifs. Bodoni saw this style as beautiful and harmonious-the natural result of writing done with a well-cut pen, and the look was fashionable and admired. Other punchcutters, such as the Didot family (1689-1853) in France, and J. E. Walbaum (1768-1839) in Germany made their own versions of the modern faces. Even though some nineteenth century critics turned up their noses and called such types shattering and chilly, today the Bodoni moderns are seen in much the same light as they were in his own time. When used with care, the Bodoni types are both romantic and elegant, with a presence that adds tasteful sparkle to headlines and advertising.Bauer Bodoni™ was originally released in 1926 from the Bauer Type Foundry in Frankfurt. It was designed by Heinrich Jost, who was the artistic director of the foundry from 1923 until 1948, and punchcut by Louis Hoell. The forms are closely related to the original Bodoni typefaces, and are considered to be more delicate and graceful than many other Bodoni interpretations. Long admired by typographers as the crčme de la crčme of available Bodoni display types, this version looks especially fine at large sizes and will make a stately presence













