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Documents referring to these items ...
William A. Dwiggins – born 19. 6. 1880 in Martinsville, USA, died 25. 12. 1956 in Hingham, Massachusetts, USA – type designer, printer, typographer, graphic designer – studied at the Frank Holme School of Illustration in Chicago under Frederic W. Goudy.
1903–04: runs his own printing workshop in Cambridge, Ohio. 1905–16: commercial artist in Hingham, Massachusetts. 1917–18: director of Harvard University Press. 1919: founds the Society of Calligraphers in Boston and is their president and [...]
Linotype previously had three design studios located around the globe:
Mergenthaler Linotype, in the United States, was founded in Brooklyn, but later moved to Melville, NY, and then to Hauppauge, NY. Mergenthaler Linotype's design studio employed at varying times up to 80 designers under the direction of Chauncey H. Griffith, Jackson Burke, Mike Parker, and Matthew Carter.
In continental Europe, Linotype typefaces were produced by the D. Stempel AG typefoundry in Frankfurt, Germany. [...]
Other families by this designer ...
About Electra® Font Family ...
Designer: Linotype Design Studio, 1994
The Electra® Font Family is part of the Linotype Originals.
Electra is an original face designed for Linotype in 1935 by William. A. Dwiggins, the eminent American artist and illustrator who also created the Caledonia series. The type, which falls into the 'modern' family of type styles, is not based upon any traditional model and is not an attempt to revive or reconstruct any historic type. Because it avoids the extreme contrast of thick and thin elements that mark most modern faces, Electra provides a new 'texture' in book pages. Although in x-height it is amost large as Times Roman, the narrow set of Electra makes it very economical in composition. The italic is really a sloped roman, of almost the same weight as the roman; it is so comfortable to read that it can be used for whole texts, and is particularly suitable for poetry. In 1988 Linotype has extended the Electra to a complete type family with four different weights, it was made with true Italics and as a specialty was made available in a lighter end more elegant Display version.
The Caravan fonts offer a broad variety of fitting ornaments and border elements which had been designed by Dwiggins.
Electra had received a Certificate for Typographic Excellence in Type Design in 1998 from the Type Directors Club ( TDC ) of New York
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