Font News

Xenois: a typeface microcosm created by Erik Faulhaber in which clarity and diversity are combined

A typeface microcosm created by Erik Faulhaber that includes an innovative take on the Antiqua typeface class.
more ...

A Humanist square sans with a technological feel: Yalta Sans by Stefan Claudius

In Yalta Sans, a Grotesque-style typeface by Stefan Claudius, the designer has skilfully combined the charismatic presence and excellent legibility of a Humanist sans serif with the precise and somewhat technological feel of a square sans.
more ...

Wolfsblood by Jim Ford and other fonts for Halloween

Ghosts and ghouls will be stalking the streets again as darkness falls on 31 October.
more ...

A vital, dynamic and robust personality: the calligraphic font Excritura by Alex Camacho

Excritura is the third typeface created by the Spanish designer Alex Camacho.
more ...

Metro Nova. A re-discovered classic with a new look.

With Metro Nova type designer Toshi Omagari is presenting a revival of the classic font, Metro, designed in the 1920’s and 30’s by William Addison Dwiggins.
more ...

Meroe from Peter Becker: a warm script with a very dynamic touch

The calligraphic Meroe script from Peter Becker has a very impressive dynamic, personal feel.
more ...

A friendly grotesque typeface with an historical feel: Lucca by João Henrique Lopes.

The friendly temperament of the humanist grotesque typeface Lucca by João Henrique Lopes makes it ideal for use in numerous applications.
more ...

DIN 1450 – the German standard on legibility of texts

The new German standard DIN 1450, which will come into force in mid-2013, will not only regulate how text is displayed on public signage systems, but will also set out clear guidelines for the appearance of other forms of text.
more ...

Fruitygreen: a biologically inspired, very contemporary font with a high recognition factor

Fruitygreen is Indonesian designer Andi AW. Masry’s second typeface following Coomeec.
more ...
Lines per page: