Font News

Burlingame by Carl Crossgrove: a font with optimal readability on screen that is also great in print.

You expect optimum readability for the font on a navigation device, and rightly so.
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Innovative font design now exclusively distributed through Monotype: The Foundry typeface library of David Quay and Freda Sack

The fonts sold under The Foundry label exhibit a unique combination of traditional and modern approaches to typeface design.
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Xenois: a typeface microcosm created by Erik Faulhaber in which clarity and diversity are combined

A typeface microcosm created by Erik Faulhaber that includes an innovative take on the Antiqua typeface class.
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Wolfsblood by Jim Ford and other fonts for Halloween

Ghosts and ghouls will be stalking the streets again as darkness falls on 31 October.
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A Humanist square sans with a technological feel: Yalta Sans by Stefan Claudius

In Yalta Sans, a Grotesque-style typeface by Stefan Claudius, the designer has skilfully combined the charismatic presence and excellent legibility of a Humanist sans serif with the precise and somewhat technological feel of a square sans.
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A vital, dynamic and robust personality: the calligraphic font Excritura by Alex Camacho

Excritura is the third typeface created by the Spanish designer Alex Camacho.
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Meroe from Peter Becker: a warm script with a very dynamic touch

The calligraphic Meroe script from Peter Becker has a very impressive dynamic, personal feel.
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Metro Nova. A re-discovered classic with a new look.

With Metro Nova type designer Toshi Omagari is presenting a revival of the classic font, Metro, designed in the 1920’s and 30’s by William Addison Dwiggins.
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A friendly grotesque typeface with an historical feel: Lucca by João Henrique Lopes.

The friendly temperament of the humanist grotesque typeface Lucca by João Henrique Lopes makes it ideal for use in numerous applications.
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