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Palatino® Std Light Italic
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| Price: | US$ 29.00 |
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| ... is part of the Palatino® Font Family, comprising altogether 10 fonts in OpenType Std format. |
Product is contained in:
Technical information
OpenType outline flavour:
CFF - PostScript flavoured
File name: PalatinoLTStd-LightItalic.otf Windows menu name: Palatino LT Std Light PostScript name: PalatinoLTStd-LightItalic PostScript full name: PalatinoLTStd-LightItalic |
Catalog material number:
16740822
Palatino® Light Italic
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| Price: | US$ 26.00 |
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| ... is part of the Palatino® Font Family, comprising altogether 14 fonts in Windows TrueType format. |
Product is contained in:
Technical information
File names: lte52169.ttf, LT_52169.ttf Windows menu names: Palatino LT LightItalic, Palatino LightItalic PostScript names: PalatinoLT-LightItalic, Palatino-LightItalic PostScript full names: Palatino LT Light Italic, Palatino Light Italic |
Catalog material number:
35652169
Palatino® Light Italic
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| Price: | US$ 26.00 |
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| ... is part of the Palatino® Font Family, comprising altogether 18 fonts in Windows PostScript format. |
Product is contained in:
Technical information
File names: lte52169.pfb, LT_52169.pfb Windows menu names: Palatino LT LightItalic, Palatino LightItalic PostScript names: PalatinoLT-LightItalic, Palatino-LightItalic PostScript full names: Palatino LT Light Italic, Palatino Light Italic |
Catalog material number:
36152169
Palatino® Light Italic
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| Price: | US$ 26.00 |
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| ... is part of the Palatino® Font Family, comprising altogether 18 fonts in Mac PostScript format. |
Product is contained in:
Technical information
File name: PalatLTLigIta PostScript name: PalatinoLT-LightItalic PostScript full name: Palatino LT Light Italic |
Catalog material number:
36052169
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See below Palatino® Light Italic or other typefaces from the Palatino® Font Family in real usage ...
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About Palatino® Light Italic ...
Designer: Hermann Zapf, 1950
Palatino® Light Italic belongs to the Palatino® Font Family which is part of the Linotype Originals.
Palatino™ is the work of Hermann Zapf, and is probably the most universally admired and used of his type designs. In 1950, it was punchcut in metal by August Rosenberger at D. Stempel AG typefoundry in Frankfurt am Main, and then adapted for Linotype machine composition. Zapf optimized Palatino's design for legibility by giving it open counters and carefully weighted strokes, producing a typeface that was legible even on the inferior paper o











